Prince Phillip Mitchell Top Of The Line (1979) [2013 Japan]

Mingus Dynasty - Chair In The Sky (1979) {2013 Japan Jazz Best Collection 1000 Series 24bit Remastered}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 314 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (jpg) -> 30 Mb | 5% repair rar | 24bit remaster
© 1979, 2013 Elektra / Warner Japan / WEA / Rhino | WPCR-27440 | Jazz Best Collection 1000 Series
Jazz / Post Bop / Progressive Jazz

Features 24 bit remastering and comes with a mini-description. After bassist/composer Charles Mingus' death on January 5, 1979, a reunion band featuring some of his former sidemen called Mingus Dynasty was formed. Cut just six months after the bassist's demise, this album was the first Mingus Dynasty recording, and it has its moments. Such alumni as altoist John Handy, trombonist Jimmy Knepper, trumpeter Jimmy Owens, and tenorman Joe Farrell meet up with two members of Mingus' last major band (pianist Don Pullen and drummer Dannie Richmond), plus bassist Charlie Haden, who ably fills in for the late bandleader.

This box set is the ultimate pop collection, 43 albums featuring many of the biggest hits performed on the legendary pop music chart BBC TV programme Top of the Pops, which ran for a record shattering 42 years from January 1964 to July 2006! The show totalled an amazing 2205 episodes and at its peak attracted 15 million viewers per week! This complete set features a total of 875 tracks, including over 600 top ten hits and over 150 number one's!

Top of the Pops from 1979 includes hits from The Jam, The Specials, Madness, The Selecter, Elvis Costello, Squeeze, Gary Numan, Dame Edna Everage, The Ruts, Racey, The Nolans, Lene Lovich, Chic and Chas & Dave, Mike Oldfield and many others.

Clint Houston - Inside The Plain Of The Elliptic (1979) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 168 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 600 dpi (png) -> 257 Mb | 5% repair rar
© 1979, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6404
Jazz / Soul Jazz / Contemporary Jazz / Bass

Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Bassist Clint Houston never made many albums as a leader, but all of them are well worth tracking down – and this one may be the best of the bunch! The set has Clint working with frequent musical partner Joanne Brackeen on piano, as well as Ryo Kawasaki on guitars – who'd played with Joanne around the same time – and percussionist Rubens Bassini completes the group, and adds in some great subtle elements at the bottom. Tracks are long, and often very personal – quite different than the sort of music that many other bassists might provide as a leader – and a great showcase for Houston's highly melodic approach to his instrument. Clint plays both acoustic and electric, and a bit of guitar as well – and titles include "Black Thing", "Geri", "Goodbye Mr P", "You Are Like The Sunshine", and "Letitia".

Patty Ryan is a German singer best known for her Europop song "You're My Love, You're My Life" from 1986. She also sang the hits "Stay With Me Tonight", "Love is the Name of the Game", and "I Don't Wanna Lose You Tonight" (all from her debut album Love is the Name of the Game). Her style is similar to that of bands like Modern Talking, London Boys, and Bad Boys Blue (she has also on occasion collaborated with Modern Talking's Dieter Bohlen)…

It's an open secret that Sting's interest in songwriting waned after 2003's Sacred Love, an undistinguished collection of mature pop that passed with barely a ripple despite winning a Grammy for its Mary J. Blige duet "Whenever I Say Your Name." Sting spent the next decade wandering – writing classical albums for lute, recording the frostiest Christmas album in memory, rearranging his old hits for symphony, then finally, inevitably, reuniting the Police – before finding inspiration within the confines of a musical. The Last Ship tells the tale of a British shipyard in the '80s, one laid low by changing times, so there's naturally an elegiac undertow to Sting's originals, a sensibility underscored by his decision to ground nearly all these songs in the folk of the British Isles.

It's an open secret that Sting's interest in songwriting waned after 2003's Sacred Love, an undistinguished collection of mature pop that passed with barely a ripple despite winning a Grammy for its Mary J. Blige duet "Whenever I Say Your Name." Sting spent the next decade wandering – writing classical albums for lute, recording the frostiest Christmas album in memory, rearranging his old hits for symphony, then finally, inevitably, reuniting the Police – before finding inspiration within the confines of a musical. The Last Ship tells the tale of a British shipyard in the '80s, one laid low by changing times, so there's naturally an elegiac undertow to Sting's originals, a sensibility underscored by his decision to ground nearly all these songs in the folk of the British Isles.

It's an open secret that Sting's interest in songwriting waned after 2003's Sacred Love, an undistinguished collection of mature pop that passed with barely a ripple despite winning a Grammy for its Mary J. Blige duet "Whenever I Say Your Name." Sting spent the next decade wandering – writing classical albums for lute, recording the frostiest Christmas album in memory, rearranging his old hits for symphony, then finally, inevitably, reuniting the Police – before finding inspiration within the confines of a musical. The Last Ship tells the tale of a British shipyard in the '80s, one laid low by changing times, so there's naturally an elegiac undertow to Sting's originals, a sensibility underscored by his decision to ground nearly all these songs in the folk of the British Isles.