Prophecy Heathen Years (2013) [compilation]

Stellardrone is a moniker of Lithuanian composer Edgaras Žakevičius, born in 1987 and living in the capital of Lithuania. He is mostly interested in light ambient, berlin school kind of electronic and general space music and tries to fully express his thoughts and feelings with a synthetic, electronic sound. Between Vangelis and the Peter Bardens of Seen One Earth, the Lituanian genius behind the nick Stellardrone justifies his name. Don't search for drums. This album is purely made of electronics. You are in a spaceship and the greatness of the Cosmos fills your soul of melancholy.

Various Artists - South Texas Rhythm 'n' Soul Revue (2013) {Kent Soul CDKEND390 rel 1962-1973}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 190 Mb | MP3 @320 -> 129 Mb
Full Artwork @ 300 dpi (jpg) -> 37 Mb | 5% repair rar
© 1962-73, 2013 Kent Soul / Ace Records | CDKEND 390
Rhythm and Blues / Soul / Blues / Funk / Texas Blues

The first of what's promised to be many trips into Huey P. Meaux's deep vaults, Ace's 2013 compilation South Texas Rhythm 'N' Soul Revue is an unfettered delight, collecting 24 sides released on the Jet Stream, Tear Drop, Eric, Cascade, Pacemaker, Boogaloo, and Trinity imprints between 1962 and 1973, adding three previously unissued numbers for good measure. Hits aren't the name of the game here, nor are there too many household names: Big Walter Price (not Big Walter Horton), Johnny Adams, Johnny Copeland, and Barbara Lynn (the latter represented with a demo of "You'll Lose a Good Thing") are the names that could possibly spark recognition, but even these are better-known by aficionados, not trainspotters.

David Gates got all the attention, but James Griffin stood proudly as his cohort during the early days of Bread. Once Bread crumbled, Gates also had hits but Griffin didn’t, despite developing a strong body of work that finally gets anthologized via Hux’s 2013 compilation, Just Like Yesterday: The Solo Anthology 1974-77. During these four years, Griffin released just two albums—1974’s Breakin’ Up Is Easy and 1977’s eponymous LP—and both records are here, along with the bonus tracks of “Just Like Yesterday” and “She Knows,” the latter coming from a May 1974 performance on the Old Grey Whistle Test. Compared to Gates, Griffin isn’t quite as buttery: his voice is fine-grain sandpaper and he is sometimes happy enough to skirt the boundaries of soft rock, particularly on his 1974 debut.