Protecting Julie Susan Stoker

Le métier de rêve d’Élodie Winters, chef cuisinier d’une famille puissante de New York, va tourner au cauchemar quand elle apprend que son employeur est à la tête d’un clan mafieux. Désormais en fuite, elle pense enfin être en sécurité en pleine mer d’Arabie, cuisinière sur le navire de marchandises l’Asaka Express. Quand le cargo est saisi par les pirates, elle n’arrive pas à croire à sa malchance…mais les choses ne vont pas tarder à s’améliorer. …

Jazz critic Will Friedwald has stated that Julie London's records were so popular in the 1950s mainly because she looked so drop-dead gorgeous on the album covers. The marketing hook behind Calendar Girl may just be the main example for those critical of London's musical career, since its sleeve has made it a prized collector's item. The famous wraparound cover depicts cheesecake shots of London posed for every month of the year, while original issues of the album included a more-than-suggestive insert photo of the singer stretched out in bed. While Friedwald's correct about London's physical beauty, he's wrong in suggesting that the vocalist didn't have the talent to go along with her looks. Like Chet Baker, Julie London had an extremely limited vocal range but she did the most with what she had, possessing a special knack for torch songs that cast her in the role of a woman constantly being destroyed by love in general and by men in particular…

Julie (1957). Julie London made the folks at the Liberty label rich with more than 25 albums, exclusive of compilations, cut over a period of 1955 to 1969. Usually put into a torch song setting, this release allows London to shed that garment and become jazzy. The reason, of course, is the presence of the invaluable Jimmy Rowles, who did the charts, played piano, and led an orchestra of top-flight but unidentified musicians. Unidentified or not, that could well be Don Fagerquist's muted trumpet on "Midnight Sun" and other cuts and either Ted Nash or Bob Cooper on tenor on "Somebody Loves Me." That the producer is Bobby Troup also helped to assure that this session would be a swinging affair. The arrangements let London's vocals take on a different demeanor. Instead of being sultry, she becomes dazzling and sparkling…

Julie Roset, a young French soprano from Avignon, immediately attracted attention with her first recital for Ricercar (Nun danket alle Gott with Clematis) and went on to record a recital of works by Sigismondo d'India with Mariana Flores that met with great critical acclaim. In this new recording she tackles several of Handel’s masterpieces on religious themes: his Salve Regina , Gloria and the motet Silete venti were all composed at the time when the young Handel had been inspired to new heights by his discovery of Roman musical life.

Brings together themes from popular soundtracks and TV series: Ramin Djawadi Game of Thrones, Max Richter The Leftovers, Downton Abbey main theme, Jeff Beal, House of Cards, Lalo Shiffrin Mission Impossible, Henri Mancini The Pink Panther, Vitamin String Quartet “Girls like you” used in Bridgerton, and many more.