Pull My Finger The Fart CD

With the outfit's four members hailing from Stockholm, Åmål, and Gothenburg, My Brother The Wind is a fully improvisational cosmic rock collective consisting of members of widely known Swedish acts Makajodama, Magnolia, Animal Daydream and most notably Anekdoten, one of the more widely recognized names in the 1990s prog rock revival. Those who frequent the works of Popol Vuh, Amon Duul, Sun Ra, Träd, Gräs Och Stenar, Ash Ra Tempel, Gong, Pink Floyd and other visionary, psychedelic rock artists are advised to investigate this act.

The first-ever collection to celebrate the contribution and career of cherished Motown star Mary Wilson. The Motown Anthology features 38 songs. Featured songwriters include Berry Gordy, Smokey Robinson, Holland-Dozier-Holland, Deke Richards, Barry Mann and Cynthia Weil, Thom Bell and Linda Creed.

The term "lost classic" is applied liberally and often erroneously to unreleased recordings that resurface years later in a maelstrom of hype. However, for the forgotten mod rock also-rans the Action, the term is not only justified, it is painfully bittersweet. On par with such classics of the era as The Who Sell Out or Ogden's Nut Gone Flake but more focused than either, the Action's Rolled Gold goes beyond "lost classic" – it is the influential masterpiece no one was ever allowed to hear. Despite being signed to Beatles producer George Martin's AIR label and benefiting from a strong club following, the Action never scored a chart hit. By the time they recorded these demo tracks in 1967, the band had grown weary of the musically limited mod scene, which was on its last legs. Guitarist Pete Watson had been replaced by Martin Stone, and the band had developed a more mature sound, one only hinted at on such previous cuts as "Twenty-Fourth Hour".

For over 15 years, The Dodos have been careening, almost recklessly, towards some perfect ideal of how The Dodos should sound. First formed with the intention of creating a record that felt and sounded how the inside of a guitar might, the band have spent the intervening years sprinting towards that platonic ideal. The propulsion of that chase has always been palpable, even in the duo’s strangest, quietest moments — a gasping thrill conjured as if metallurgically from the interplay between virtuosically fingerpicked guitar and bracingly intricate drumming. Now, after so long, finally: Grizzly Peak. The eighth album by Meric Long and Logan Kroeber still plays as if in freefall, but things are different this time. Meditative and sometimes painful in its emotional excavation, over the course of ten anthemic, gorgeously-rendered tracks, Grizzly Peak reveals itself as that place Long and Kroeber were always desperately trying to find.

Two CD collection containing 48 tracks from the Joe Gibbs' stable of the 1970s, featuring a diversity of performer and musical styles. Includes significant Jamaican hits alongside almost forgotten rarities, with all but 15 recordings making their CD debut, many tracks unavailable on any format since the early '70s with 33 tracks new to CD. As the '70s unfolded, producer Joe Gibbs continued his inexorable rise to the top of the island's musical tree. His willingness to try new talent and styles gave him an edge over many of his contemporaries, as reflected in the willingness of major artists to join his roster of acts.