The set presents a compilation of concert highlights captured the world over personally selected by Taylor, May and Lambert from over 200 shows they have performed with several featured here becoming available for the very first time. These cover concerts from Rock in Rio, Lisbon, to the UK’s Isle of Wight Festival, Summer Sonic, Japan, selected UK and North America tour dates, and - from one of their very last performances before lockdown – the Fire Fight Australia benefit show. All formats include the band’s entire 22-minute Fire Fight Australia appearance in which they performed Queen’s original history-making 1985 Live Aid set in full: Bohemian Rhapsody, Radio Ga Ga, Hammer To Fall, Crazy Little Thing Called Love, We Will Rock You and We are The Champions. While even Freddie Mercury’s iconic Ay-Ohs feature.
The set presents a compilation of concert highlights captured the world over personally selected by Taylor, May and Lambert from over 200 shows they have performed with several featured here becoming available for the very first time. These cover concerts from Rock in Rio, Lisbon, to the UK’s Isle of Wight Festival, Summer Sonic, Japan, selected UK and North America tour dates, and - from one of their very last performances before lockdown – the Fire Fight Australia benefit show. All formats include the band’s entire 22-minute Fire Fight Australia appearance in which they performed Queen’s original history-making 1985 Live Aid set in full: Bohemian Rhapsody, Radio Ga Ga, Hammer To Fall, Crazy Little Thing Called Love, We Will Rock You and We are The Champions. While even Freddie Mercury’s iconic Ay-Ohs feature.
Adam Lambert shakes off the shackles of the past by returning to his roots on The Original High. No longer with RCA, the label who signed him in the wake of American Idol, Lambert seizes this freedom by reuniting with producers Max Martin and Shellback, the team who gave him his big 2009 hit "Whataya Want from Me," but this is by no means a throwback. Martin and Shellback remain fixtures at the top of the pop charts – they were instrumental collaborators on Taylor Swift's 1989, the biggest album of 2014 – and they're a comfortable, stylish fit for the clever Lambert, a singer as comfortable with a glam-disco past as he is an EDM present.