Queen II was a breakthrough in terms of power and ambition, but Queen's third album Sheer Heart Attack was where the band started to gel. It followed quickly on the heels of the second record – just by a matter of months; it was the second album they released in 1974 – but it feels like it had a longer incubation period, so great is the progress here. Which isn't quite to say that Sheer Heart Attack is flawless – it still has a tendency to meander, sometimes within a song itself, as when the killer opening "Brighton Rock" suddenly veers into long stretches of Brian May solo guitar – but all these detours do not distract from the overall album, they're in many ways the key to the record itself: it's the sound of Queen stretching their wings as they learn how to soar to the clouds.
In one regard, Queen II does indeed provide more of the same thing as on the band's debut. Certainly, of all the other albums in Queen's catalog it bears the closest resemblance to its immediate predecessor, particularly in its lean, hard attack and in how it has only one song that is well-known to listeners outside of their hardcore cult: in this case, it's "Seven Seas of Rhye," which is itself more elliptical than "Keep Yourself Alive," the big song from the debut. But these similarities are superficial and Queen II is a very different beast than its predecessor, an album that is richer, darker, and weirder, an album that finds Queen growing as a band by leaps and bounds.
In one regard, Queen II does indeed provide more of the same thing as on the band's debut. Certainly, of all the other albums in Queen's catalog it bears the closest resemblance to its immediate predecessor, particularly in its lean, hard attack and in how it has only one song that is well-known to listeners outside of their hardcore cult: in this case, it's "Seven Seas of Rhye," which is itself more elliptical than "Keep Yourself Alive," the big song from the debut. But these similarities are superficial and Queen II is a very different beast than its predecessor, an album that is richer, darker, and weirder, an album that finds Queen growing as a band by leaps and bounds.
The Sheer Heart Attack Tour was the first world tour by the British rock band Queen, and supported their 1974 album Sheer Heart Attack. The year 1974 had started with their first trip outside of Europe and an appearance at the Sunbury Music Festival in Australia. Although the band headlined the event on 2 February, their appearance the next day was canceled. In March, the band commenced on a UK tour to promote their new album Queen II, and then embark on their first trip to the USA.
Although Blondie made several first-rate albums, most of their best songs were released as singles, which makes The Best of Blondie an essential collection. The Best of Blondie glosses over their punk roots – very little from the first album, apart from the vicious "Rip Her to Shreds" and the seductive "In the Flesh" – but the band's pop hits are among the finest of their era and encapsulate all of the virtues of new wave. Apart from genuine chart hits like "Heart of Glass," "One Way or Another," "Dreaming," "Call Me," "Atomic," "The Tide Is High," and "Rapture," Best of Blondie picks up several of the group's best album tracks, like "(I'm Always Touched by Your) Presence, Dear" and "Hanging on the Telephone." The Best of Blondie isn't all you need to know, but it is an excellent introduction to one of the best new wave bands.
Queen II was a breakthrough in terms of power and ambition, but Queen's third album Sheer Heart Attack was where the band started to gel. It followed quickly on the heels of the second record – just by a matter of months; it was the second album they released in 1974 – but it feels like it had a longer incubation period, so great is the progress here…
Queen II was a breakthrough in terms of power and ambition, but Queen's third album Sheer Heart Attack was where the band started to gel. It followed quickly on the heels of the second record – just by a matter of months; it was the second album they released in 1974 – but it feels like it had a longer incubation period, so great is the progress here…
Queen II was a breakthrough in terms of power and ambition, but Queen's third album Sheer Heart Attack was where the band started to gel. It followed quickly on the heels of the second record – just by a matter of months; it was the second album they released in 1974 – but it feels like it had a longer incubation period, so great is the progress here…
Queen II was a breakthrough in terms of power and ambition, but Queen's third album Sheer Heart Attack was where the band started to gel. It followed quickly on the heels of the second record – just by a matter of months; it was the second album they released in 1974 – but it feels like it had a longer incubation period, so great is the progress here. Which isn't quite to say that Sheer Heart Attack is flawless – it still has a tendency to meander, sometimes within a song itself, as when the killer opening "Brighton Rock" suddenly veers into long stretches of Brian May solo guitar – but all these detours do not distract from the overall album, they're in many ways the key to the record itself: it's the sound of Queen stretching their wings as they learn how to soar to the clouds.