Escape Music is delighted to announce the release date for the much-loved British Melodic Rock band Bite The Bullet, titled ‘Rocky Road'! Limited edition to 1000 CD copies only all will be numbered 1-1000 - Rocky Road is the new album from Bite The Bullet whose previous offerings include ‘Bite The Bullet’ 1989 and 2019 (Jet Records/CBS and Rock Candy Records), ’Black and White’ 2021 (Escape Music) and ’End of the Line’ 2022 (Escape Music). Originally formed in 1986 by Mick Benton, who had previously released a solo EP on Atlantic Records, and Graham Cowling along with Malcolm Jones the band’s first album was widely acclaimed at the time on both sides of the Atlantic and received air play on major radio stations. However, with demise of Jet Records and lack of publicity from CBS, coupled with the loss of worldwide support tour with the supergroup ELO, the band went into a 30-year hiatus.
"Bite The Bullet were originally formed in 1986 by singer songwriter Mick Benton and drummer Graham Cowling. They met in 1984 when they both joined West London rock band “Mother’s Ruin”. Thanks to the legendary Greg Lake, Benton managed to secure a solo deal with Atlantic Records and he asked Cowling to play drums. Its good to see that their collaboration is still strong to this very day. Mick and Graham decided to get writing new material for a second “Bite the Bullet” album and the result is outstanding, coming across like Mr Mister meets Asia. The new songs are a natural continuation of the original BTB sound and have a great feel to them, opener “Rock to Stones” is a killer. A great start to 2021!."
Bite The Bullet were originally formed in 1986 by singer songwriter Mick Benton and drummer Graham Cowling. They met in 1984 when they both joined West London rock band “Mother’s Ruin”. Thanks to the legendary Greg Lake, Benton managed to secure a solo deal with Atlantic Records and he asked Cowling to play drums. Its good to see that their collaboration is still strong to this very day.
The soundtrack to the 2018 Queen biopic Bohemian Rhapsody offers a fittingly cinematic portrait of the iconic rock band, built around a handful of the group's most well-known songs, including live versions and several tracks reworked specifically for the film. As a souvenir of the movie, the soundtrack works especially well. Opening with guitarist Brian May's arrangement of the "20th Century Fox Fanfare," and showcasing his distinctive searing guitar leads, it perfectly sets the tone for telling Queen and Freddie Mercury's story on the big screen. Here we get such beloved classics as "Somebody to Love," "Killer Queen," "Another One Bites the Dust," and "Under Pressure."
Compilation album from Taiwan. Nice compilation of some unknown & unusual tracks.
This unofficial 'Opera Omnia' was released as a four CD boxed set in Italy in 1992, in a blue and gold box, with a colour booklet. It contains live versions of almost every Queen song ever performed live, from a number of different concerts, in chronological order.
There's a kind of beautifully perverse brilliance to the Pussycat Dolls. Not only are they a sextet who got their start as neo-burlesque dancers in Los Angeles, but they make no bones about being a gleefully manufactured dance-pop act. Open the booklet for their 2005 debut, PCD, and their artificiality is made clear: the first page reads "All lead and background vocals by Nicole Scherzinger," a former member of Eden's Crush, the failed prefab teen pop group assembled on the WB's pre-American Idol reality music show Popstars. There is no pretense that Kimberly, Carmit, Ashley, Melody, and Jessica are there for anything besides filling out the illusion that this is a real performing musical group and providing some serious eye candy for a group that is all about the visuals.
Super deluxe edition of "News Of The World" from Queen consists of 3 CDs, a DVD, and a LP. Disc 1 (original album) includes "All Dead, All Dead" featuring Freddie Mercury on vocal. *The original album version features Brian May. Disc 2 (raw sessions) consists of alternate takes, demo ones, and rough mix versions, including "We Are The Champions" with entirely different rendition and vocal from the previous recordings…