Quentin Tarantino‘s

Ennio Morricone’s work on The Hateful Eight aside, most of Quentin Tarantino’s movies famously don’t have much in the way of traditional scores. The songs that have played a starring role in so many of his iconic scenes aren’t original compositions—they’re vintage gems, often dug up from the crates by the director himself. The music from Once Upon a Time in Hollywood, captured on this soundtrack, is a prime example. Like the film itself, the songs—from José Feliciano’s cover of “California Dreamin’” to Vanilla Fudge’s take on “You Keep Me Hangin’ On”—are a time capsule of late-’60s Los Angeles, tracks Tarantino himself heard on the radio growing up in the city’s South Bay region (although there are, as usual for the director, lots of deeper cuts, like The Box Tops’ “Choo Choo Train”).

Music from and inspired by his films - 3 double-CDs in a deluxe limited edition boxset. Each of the double CDs was released earlier and has own catalog number. Rediscover the best of QUENTIN TARANTINO's filmography including the films "Kill Bill", "Pulp Fiction", "Inglorious Basterds", "Reservoir Dogs" or "Jackie Brown", through this splendid 6CD box set from the Music Brokers label. We will find here only the official music with artists including Nancy Sinatra, Urge Overkill, Joe Cocker, Johnny Cash, Serge Gainsbourg, Guy Mitchell, The Coasters, Woody Guthrie and many others!

Ennio Morricone 's compilation album from Quentin Tarantino's films including Django, Kill Bill and Inglourious Basterds.

Taking their name from the 1960s B-movie Satan's Sadists, Portland, Oregon's Satan's Pilgrims' spirited blend of retro-surf and foot-stomping garage rock evokes the raw power and instrumental prowess of the Ventures, the Sonics, the Wailers, and the Kingsmen – it also draws from horror movies, Joe Meek productions, and the British Invasion. Like contemporaries and labelmates the Fathoms and Space Cossacks, the band caught the resurgent early-'90s surf rock wave brought forth by the arrival of Quentin Tarantino's Pulp Fiction, which reintroduced the world to Dick Dale's "Misirlou," and rode it to nominal commercial success via essential outings like Around the World with Satan's Pilgrims (1997) and their eponymous fifth studio long-player (1999).