Sutton Foster is a two-time Tony winning actress, singer and dancer who currently stars as Liza in the critically-acclaimed TV Land series, Younger, which is returning for its fifth season on June 5, 2018. Previously, Foster starred in Amy Sherman-Palladino’s ABC Family series, Bunheads. Sutton is one of Broadway’s biggest stars, performing lead roles in Anything Goes, Shrek The Musical, The Drowsy Chaperone, Little Women, Thoroughly Modern Millie and many more over the past two decades. As a solo artist, Sutton tours the country with her hit concerts. She has also graced the stages of Carnegie Hall, Feinstein’s, Lincoln Center’s American Songbook series and many others. Featuring her signature vocal stylings on classics written by musical theater luminaries including Stephen Sondheim (“Take Me to the World”), Cole Porter (“Ooh-La-La”), and Kander & Ebb (“A Quiet Thing”) as well as legendary pop songwriters such as Paul Simon (“Old Friends”) and James Taylor (“You Can Close Your Eyes”), Sutton’s long-awaited third album, Take Me to the World, takes listeners on a personal journey inspired by the birth of her daughter. Sutton, a faculty member at Ball State University, has enlisted the Ball State Symphony Orchestra and other BSU students for this recording in a special partnership, with longtime collaborator Michael Rafter producing.
Famed Italian tenor Andrea Bocelli is an iconic figure in music, as one of the most successful classical solo artists ever, and one of the best-selling performers in any genre, having sold more than 80 million albums worldwide of both his classical and pop albums. His worldwide hit albums such as Romanza, Amore, Passione and Love in Portofino have made him synonymous with love and romance. On July 10th, 13 titles from his incredible Pop catalog and 3 bonus discs of memorable Bocelli performances will be released in a special edition box set.
This is the second two-CD set of Beethoven's ten sonatas for piano and violin performed by violinist Henryk Szeryng and pianist Ingrid Haebler. It includes Beethoven's final five works in this form, including the three sonatas of opus 30, the opus 47 sonata, and the opus 96 sonata.
The style of Italian early music conductor Rinaldo Alessandrini and his Concerto Italiano might be described as both strongly expressive and highly intelligent. Consider this recording of Monteverdi's Sixth Book of Madrigals, pieces that hover between the older polyphonic madrigal tradition and the newer, essentially soloistic and dramatic language of opera. The texts of these mostly five-part pieces focus almost exclusively on extremely melancholy depictions of mourning for love lost, mostly through death – something Alessandrini in his detailed and highly informative notes attributes to the death of Monteverdi's wife and his favorite female student shortly before the music was composed. Alessandrini takes the ideal of text expression as paramount, downplaying larger formal details in favor of a sequence of extremely intense moments.