R&b From The Marquee

Its title notwithstanding, R&B from the Marquee was not a live album, nor was it cut at the Marquee: it was actually done at Decca Records' London studio, albeit in one long day's work and effectively live-in-the-studio. It was also the place where British blues began, at least as a recording proposition. Blues played by Britons had been part of the underground music scene since the mid-'50s, and Blues Incorporated had been a going concern in one form or another, initially guitarist Alexis Korner and harpist/singer Cyril Davies (actually, maybe the first two Britons to play blues); but by this time, the group also included Dick Heckstall-Smith (tenor sax, backing vocals), Keith Scott (piano), Spike Heatley (upright bass), and Graham Burbridge (drums), with Long John Baldry handling some lead vocals. For this record, Big Jim Sullivan also sang backup, and Teddy Wadmore provides a key cameo appearance for the electric bass guitar (then a new and alien instrument in this music).

R&B from the Marquee is an album by Alexis Korner's Blues Incorporated released in November 1962 on Decca Records. Blues Incorporated was a British rhythm and blues band in the early 1960s.

Above the album worked the 'Baker Street - 100 Classics from the 70's ', and his release took place on 2021. The album has got songs with a total duration of more than an hour. A compilation is a compilation of original music.

Although his name may not be as instantly recognizable stateside as Eric Clapton, the Rolling Stones, or Led Zeppelin, Alexis Korner played an enormously large role in helping launch the British blues explosion of the '60s. After all, such soon-to-be household names as Mick Jagger, Keith Richards, Ginger Baker, and Robert Plant either recorded with Korner, or credit the singer/guitarist as an early inspiration to follow their blues calling. The double-disc. 40-plus-track Kornerstoned: The Anthology 1954-1983 chronicles Korner's entire recording career, from Alexis Korner Skiffle Group in the early '50s, to fronting various bands later in the '50s and throughout the '60s (as Alex Korner's Blues Incorporated, Alex Korner's Blues All Stars, etc.), all of which are included here.

That's the Way It Is is the twelfth studio album by American singer and musician Elvis Presley, released on RCA Records, in November 1970. It consists of eight studio tracks recorded at RCA Studio B in Nashville, and four live in-concert tracks recorded at The International Hotel in Las Vegas. It accompanied the theatrical release of the documentary film Elvis: That's the Way It Is, although it is not generally considered a soundtrack album. The album peaked at number 21 on the Billboard 200 and at number eight on the country chart. It was certified Gold on June 28, 1973 and up-graded to Platinum, for sales of a million copies on March 8, 2018.

Widely acclaimed as the Godfather of British blues, the late Alexis Korner boasts a reputation which is fully deserved.
As leader of Blues Incorporated, he was a pioneer of the genre, a Zelig-like presence and generous enabler who inspired a swathe of putative young blueshounds that included Brian Jones, Mick Jagger and Keith Richards (as Richards once acknowledged, The Rolling Stones wouldn’t have existed without him), Eric Burdon and Eric Clapton.
But Korner was more than just a seismic influence, as Every Day I Have The Blues: The Sixties Anthology makes clear. Recorded in both a live and studio setting, this 3-CD set chronicles Korner’s musical activities throughout that most tumultuous of decades as he went from kick-starting the British blues boom to ending the Sixties in the company of a new generation of blues-rockers, thrilled to be enjoying the patronage of a much-loved elder statesman. Every Day I Have The Blues features tracks from such legendary British blues live documents as R&B From The Marquee and At The Cavern as well as a clutch of studio albums, with sensational lead vocal performances from the likes of Cyril Davies, Long John Baldry, Ronnie Jones, Herbie Goins, Duffy Power and Robert Plant, who was in the middle of recording an album with Korner when Led Zeppelin came calling.

Widely acclaimed as the Godfather of British blues, the late Alexis Korner boasts a reputation which is fully deserved.
As leader of Blues Incorporated, he was a pioneer of the genre, a Zelig-like presence and generous enabler who inspired a swathe of putative young blueshounds that included Brian Jones, Mick Jagger and Keith Richards (as Richards once acknowledged, The Rolling Stones wouldn’t have existed without him), Eric Burdon and Eric Clapton.
But Korner was more than just a seismic influence, as Every Day I Have The Blues: The Sixties Anthology makes clear. Recorded in both a live and studio setting, this 3-CD set chronicles Korner’s musical activities throughout that most tumultuous of decades as he went from kick-starting the British blues boom to ending the Sixties in the company of a new generation of blues-rockers, thrilled to be enjoying the patronage of a much-loved elder statesman. Every Day I Have The Blues features tracks from such legendary British blues live documents as R&B From The Marquee and At The Cavern as well as a clutch of studio albums, with sensational lead vocal performances from the likes of Cyril Davies, Long John Baldry, Ronnie Jones, Herbie Goins, Duffy Power and Robert Plant, who was in the middle of recording an album with Korner when Led Zeppelin came calling.