R&b From The Marquee

Eagle Vision s SD Blu-ray range presents upscaled standard definition original material with DTS-HD Master Audio and LPCM stereo sound for the best possible quality. From The Vault is a series of live concerts from The Rolling Stones archive which are getting their first official release. The Marquee Live In 1971 is the latest addition to the series. The show was filmed at London s legendary Marquee club on March 26th 1971…

Spread over four discs, this set contains every released recording the Yardbirds made under the leadership of their manager Giorgio Gomelsky from 1963 to 1966…

Without Alexis Korner, there still might have been a British blues scene in the early 1960s, but chances are that it would have been very different from the one that spawned the Rolling Stones, nurtured the early talents of Eric Clapton, and made it possible for figures such as John Mayall to reach an audience. Born of mixed Turkish/Greek/Austrian descent, Korner spent the first decade of his life in France, Switzerland, and North Africa, and arrived in London in May of 1940, just in time for the German blitz, during which Korner discovered American blues. One of the most vivid memories of his teen years was listening to a record of bluesman Jimmy Yancey during a German air raid. "From then on," he recalled in an interview, "all I wanted to do was play the blues."

Live highlights from The Who, spanning 25 years of life on the road. Also included is early documentary footage, exclusive new interviews…

Eric Clapton has become one of Britain's most successful guitar heroes of the last three decades, a writer, singer and performer who has consistently produced quality singles and albums which have sold millions around the globe, and whose live shows are always guaranteed standing-room-only events. Clapton has now been a solo performer for so long that it is easy to forget that his formative musical years were spent working with a variety of different blues bands, including John Mayall’s Bluesbreakers, Cream, Blind Faith, and not forgetting the legendary Yardbirds.

Eric Clapton has become one of Britain's most successful guitar heroes of the last three decades, a writer, singer and performer who has consistently produced quality singles and albums which have sold millions around the globe, and whose live shows are always guaranteed standing-room-only events. Clapton has now been a solo performer for so long that it is easy to forget that his formative musical years were spent working with a variety of different blues bands, including John Mayall’s Bluesbreakers, Cream, Blind Faith, and not forgetting the legendary Yardbirds.

For something less traditional but no less killing, try Melvin Taylor & The Slack Band’s Bang That Bell. A post-Hendrix exercise in funky-blue wah-wah wailing, this one has more allusions to Prince and the Isley Brothers than Muddy and the Wolf. In the course of a single tune (“Another Bad Day”) he can blend jazzy, Wes Montgomery-styled octaves with over-the-top wah-wah work and metalesque speed picking. But in spite of all the virtuosic six-string technique, Taylor can also get up into some nasty real-deal shuffles and earthy funk, as he proves so convincingly on “It’s Later than You Think,” which features some brilliant harmonica playing by Sugar Blue, and on a super-funky updating of the Earl King classic “Trick Bag.” And he digs into a slow blues, “A Quitter Never Wins,” with fangs bared. The closer, “Even Trolls Love Rock & Roll,” is a wild fretboard scorcher featuring guest guitar slinger Eric Gales. A tremendous guitarist and soulful singer, Taylor is a major versatile talent on the crossover blues-rock circuit that includes the likes of Robert Cray, Jonny Lang and Kenny Wayne Shepherd.

Dick Heckstall-Smith, Jack Bruce, John Stevens - This That (1994) {Atonal Records ACD 3017}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 343 Mb | MP3 @320 -> 169 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 1994 Atonal Records } ACD 3017
Jazz / Blues Rock / Fusion / Neo-Bop

Heckstall-Smith was an active member of the London jazz scene from the late 1950s. He joined Blues Incorporated, Alexis Korner's groundbreaking blues group, in 1962, recording the album R&B from the Marquee. The following year, he was a founding member of that band's breakaway unit, The Graham Bond Organization. (The lineup also included two future members of the blues-rock supergroup Cream: bassist Jack Bruce and drummer Ginger Baker.)