Recomposed BY Max Richter Vivardi

Stillness and repose lie at the epicenter of the latest of violinist Angèle Dubeau’s series of “Portrait” recordings, a celebration of that master of atmosphere, Max Richter. Richter, whose credits include the soundtracks to Waltz with Bashir and Shutter Island, writes postminimalist music—richly scored, with gently undulating rhythms, beautiful, shifting modal harmonies, and subtle electronic effects. There’s often an elegant simplicity to Richter’s music, as in the cyclical “Autumn Music 2,” but there are thrilling moments, too, as pulsating electronic drums emerge from the darkness in “The Journey, Not the Destination.”

Max Richter will release a new orchestral composition to mark the 250th anniversary of Beethoven’s birth on 17 December. The world premiere performance of Beethoven – Opus 2020 will take place on 16 December at Beethoven-Haus Bonn, the birthplace of the composer and now a museum, cultural institution and research centre, and will be live streamed on Deutsche Grammophon’s Facebook page. Max Richter’s new solo piano single Andante Loops, based on music from Beethoven – Opus 2020, premiered today in Apple Music’s Beethoven Room. Beethoven – Opus 2020 and Andante Loops will be released together as a digital EP from 18 December. Max Richter said, “I give the last word in Opus 2020 to Beethoven himself, as a reminder that in spite of the challenges we face, the future is in our hands; if we choose creative and positive actions it will be brighter.”

An ensemble that attracts rave reviews and sell-out crowds at prestigious venues everywhere from Vienna to New York, the sensational SIGNUM Saxophone Quartet present their first Deutsche Grammophon album. Featuring inventive arrangements of music by composers from Dowland to Peter Gregson, as well as Guillermo Lago's "Sarajevo," a sax quartet original.

The pop-minimalist music of Max Richter has been gaining followers beyond his native Germany and his residence of Britain thanks to some highly successful soundtracks and energetic promotion by the Deutsche Grammophon label, which recorded Exiles in 2019 and released it in 2021. Here, he is interpreted by the Baltic Sea Philharmonic and its conductor, Kristjan Järvi. Richter selected the group himself, and it was a good choice. The Baltic musicians have plenty of experience with the glassy, precise textures of minimalism, and they deliver accomplished readings. Exiles comprises 18 short sections with a simple pulse, slightly modifying – in classic minimalist fashion – a pattern laid out at the beginning.

VOICES is a brand new project from acclaimed composer, pianist, producer, and collaborator, Max Richter. VOICES is comprised of 56 minutes (10 tracks) of material featuring orchestra, choir, solo soprano, solo violin, solo piano and electronics. The narrated text has been adapted from the UN Declaration and is read by acclaimed US actor Kiki Layne (If Beale Street Could Talk). Also featuring the 1949 Recording of the preamble to the declaration by Eleanor Roosevelt.

Originally written in 2003, DG will be releasing a new edition to celebrate its 15th anniversary with brand new artwork and bonus content, such as new arrangements, remixes, as well as a completely unreleased new track.

Max Richter announces his ninth studio album ‘In a landscape’. The new album marks a significant evolution in Richter’s musical journey, as he delves deeper into the themes of optimism and human emotion accompanied by an innovative exploration of electronic sounds and field recordings. It is a record about reconciling polarities, bringing together the electronic and the acoustic, the human and the natural world, the big questions of life and the quiet pleasures of living – a fleeting self-portrait of a musician in constant motion. He says: “the music on the record is about connecting or reconciling polarities. The electronics with the acoustic instruments, the natural world with the human world, and the big ideas of life with the personal and intimate”.

One of the most beautiful and definitive tracks in Max Richter's ever-growing body of work is "On the Nature of Daylight" from The Blue Notebooks, the album that brought him to the attention of many critics and fans. Since that breakthrough, he's developed a niche as a composer ready and willing to revamp the classics, as he did with Vivaldi's The Four Seasons, as well as a sensitive and versatile composer of scores for films ranging from looks at the not-so-tame secret lives of domesticated animals (Die Fremde) to dystopian sci-fi (Perfect Sense). Richter's music for Disconnect is an intersection of those career paths: the score uses "Daylight" as its emotional and musical focus, surrounding it with pieces that echo and complement it…