The Well-Tuned Piano is La Monte Young's magnum opus, the work in which many of his theories are crystallized and laid out for the listener. It's a massive solo piano performance, lasting a little over five hours, during which Young displays virtually every combination of chords that he deems special, seguing one into another. At the end of the day, the question is: Given the formal system and obviously huge amount of time devoted to its investigation, is the resultant music beautiful enough to justify the large amount of hype accompanying the project? The first thing that strikes the listener is the sound of the piano itself, a Bosendorfer that has been tuned in just intonation.
Robert Walter has no problem getting into funky, down-home soul-jazz when he wants to, but the organist/keyboardist/pianist also has his intellectual side. He obviously appreciates the soul-jazz that B-3 icons like Jimmy Smith, Richard "Groove" Holmes, Johnny "Hammond" Smith, and Jack McDuff offered in the '60s, but he has also shown his appreciation of Medeski, Martin & Wood as well as the post-bop and fusion that Larry Young explored after he moved beyond soul-jazz.
Dr. Lonnie Smith shows no signs of slowing down. Spiral is is his fifth studio album since 2003, and his fourth for Palmetto. Produced by Matt Balitsaris, Smith's trio includes guitarist Jonathan Kreisberg and drummer Jamire Williams. The program is a solid set of jazz nuggets, an original, and a couple of ballad standards. Things lead off with Jimmy Smith's "Mellow Mood," which is relaxed but hardly what the title suggests. Smith is in prime soul-jazz mode here, paying tribute to his mentor by swinging hard on the melody.
This is an exquisite post-bop trio date from 1975. The music is romantic, impressionistic, singingly melodic, and rich in delicious harmonies. It also has a driving, muscular energy that rules out any possibility of mere prettiness. Some tracks feature leader Don Thompson overdubbed on piano and vibes, but this is handled seamlessly, creating the sound of a quartet rather than simply a player covering two parts. He ceaselessly mines for harmonic possibilities, allowing each track to constantly open up onto new moods and vistas.