Rachmaninov Trio Capuçon

Great classical repertoire, discoveries, chamber music, concert literature at the very highest level: violinist Renaud Capuçon inspires as a soloist in all areas. He celebrated the power of world harmony with Bach's concertos and the modern counterpart by Peteris Vasks, allowed styles to communicate with each other with the concertos by Beethoven and Korngold as well as Brahms and Berg, and ensured one of the most high-profile large-scale chamber music projects of recent years with a complete recording of the Beethoven sonatas. He is now continuing on this path - alongside the young, multi-award-winning Georgian pianist Khatia Buniatishvili.

It says much for the intelligence controlling this performance of the Tchaikovsky Piano Trio that only the final return of the grand lament churns and heaves as so much of the playing elsewhere could so easily have done in the wrong hands. Throughout the long, generous first movement of Tchaikovsky’s memorial to Nikolai Rubinstein, Kempf reins in his grander manner to keep the argument on the move; French violinist Pierre Bensaid and Armenian cellist Alexander Chaushian may not be naturally big players, but they know how to spin a line and lift it when necessary into the higher life. Everything tells when it should, above all the one truly inspiring melody in Tchaikovsky’s most personal vein which eases the tension of a keenly sprung development and fades beautifully into the most sensitively handled coda I’ve heard on disc.

As a young man, fresh from his first real success as a composer with the opera Aleko, Rachmaninoff was on his way to visit his mentor Tchaikovsky when he saw a crowd gathered outside. The news of Tchaikovsky’s death sent him into a tail-spin, and he passed the next few weeks alone, walking and writing this magnificent ‘Trio Elegiaque’ in memory of Tchaikovsky.

Pianist Satoko Fujii introduces a new trio with two younger and very active musicians on the Japanese jazz scene–bassist Takashi Sugawa and drummer Ittetsu Takemura–recording in 2020 at Pit Inn in Tokyo for their 3rd live date together, performing five lyrical Fujii original compositions, including "Aspirations" from her album with Leo Smith & Ikue Mori.

House on Hill may be a new recording, but the material is not. Virtually everything here was written, according to his liner notes like Keith Jarrett, Brad Mehldau writes about himself best in a session done in 2004 which yielded 18 songs with bassist Larry Grenadier and drummer Jorge Rossy. The decision was made to split the sets into originals and covers. The covers became 2004's Anything Goes.

At the beginning of this set Oscar Peterson so overwhelms the normally gentle "Tristeza" that it almost becomes a parody. Fortunately, the remainder of the bossa nova-flavored LP is more tasteful. Even if Peterson is overly hyper in spots, he is able to bring out the beauty of such songs as George Gershwin's "Porgy," Antonio Carlos Jobim's "Trieste," and "Watch What Happens," in addition to stomping through the straight-ahead "You Stepped out of a Dream."