Rachmaninov: Sergei Rachmaninov

All of Rachmaninov’s music - from his earliest student compositions to his final masterpieces – has been collected together for the first time on 32 CDs, in what is definitively the most complete and comprehensive edition of Rachmaninov’s works ever released.

Winning first prize at the 1989 Van Cliburn Competition, Alexei Sultanov enjoyed a meteoric rise of epic proportions, with a major recording contract, Carnegie Hall recital, American and European tours, and TV appearances with Johnny Carson, David Letterman, and other notables. But Sultanov's star soon fell to Earth as critics would often characterize his bold style in unflattering terms, finding his interpretive manner feral and superficial, and his herculean fortes ostentatious: he broke a string during a performance of the Liszt First Mephisto Waltz at the Cliburn Competition. But the youthful pianist's health soon proved a more formidable opponent than any critic's pen, as a series of strokes sabotaged his career, eventually leaving him paralyzed on his left side after 2001. Though he died at 35, Sultanov left a memorable though controversial legacy. His Prokofiev, Chopin, Rachmaninov, and Scriabin could rivet the listener, while his Beethoven and Mozart might have been less consistently engaging. His recordings, mostly available from Warner Classics, document the enormous talent of this imaginative performer, a pianist unafraid to take interpretive chances.

Emil Gilels was renowned for playing Beethoven, like his predecessors Artur Schnabel, Wilhelm Backhaus and Rudolf Serkin. He made his name in his native land as promoter of Russian music - that of Rachmaninov, of course (still revered despite his exile in America), Prokofiev, the prodigal son harshly punished on his return to the Soviet Union and Kabalevsky, the epitome of professionalism and popular music. Here you can enjoy a unique triptych, which studiedly sheers away from Svjastoslav Richter’s repertoire.

This highly anticipated album-set brings together Valery Gergiev's acclaimed cycle of the complete Rachmaninov symphonies. He leads the London Symphony Orchestra in performances recorded between 2008 and 2015. These masterful accounts are accompanied by his Symphonic Dances and and two symphonic poems by Mily Balakirev that echo the luxurious textures present throughout Rachmaninov's music.

Lovers of Rachmaninov's Second and Third Piano Concertos should rush to buy, while it's still available, this magnificent CD by Noriko Ogawa, Owain Arwel Hughes, and the Malmo [Sweden] Symphony Orchestra. The Ogawa-Hughes-Malmo recording belongs alongside legendary performances by Argerich, Ashkenazy, Horowitz, Janis, Kapell, and the composer himself, and it is second to none in overall excellence.

Having triumphed on the stage, Asmik Grigorian now brings her artistry to the recording studio with the release of her eagerly awaited first recording with pianist Lukas Geniušas, Dissonance, the first of many projects planned with Alpha Classics. Devoted to one of her favourite composers, Sergei Rachmaninov, Ms. Grigorian chose to present his intimate yet highly emotional romances written for voice and piano. “Most of Rachmaninov’s romances really demand operatic power. In fact, he wrote ‘mini-operas’ which last a few minutes.”

The music of the Russian Orthodox Church was an essential part of Sergei Rachmaninov’s musical background. As a boy he was deeply moved by the sound of St Petersburg’s cathedral choirs, and phrases reminiscent of liturgical chant permeate his music. His Vespers has long been admired as a summit of Russian liturgical music. It has unfortunately tended to overshadow the Liturgy of St John Chrysostom, his earlier large-scale sacred composition. Named after the fourth-century Archbishop of Constantinople and Church Father, the Liturgy consists of a sequence of prayers, psalms and hymns, which are sung or chanted by the different participants in the service.