Radiohead The Best of

America's loudest lounge singer Richard Cheese performs swingin' Vegas versions of rock and rap songs, "swankifying" popular Top40 hits into retro vocal standards. Imagine Sinatra singing Radiohead, and you've got Richard Cheese & Lounge Against The Machine.
Backed by Bobby Ricotta on piano, Frank Feta on drums, and Billy Bleu on bass, Richard Cheese & Lounge Against The Machine have played hundreds of sellout concerts all over the world, from Las Vegas to London, from Portland to Portugal, from Honolulu to Hollywood. With his snappy jazz trio, his tiger-striped tuxedo, and his enormous microphone, lounge legend Richard Cheese presents the perfect mix of music, martini, and madcap.

Echoes is a double-CD collection of some of Pink Floyd's best songs. It's also a fascinating document of the band's history. They began life as Syd Barrett's phantasmagoric plaything before clasping the wings of Icarus and ascending toward the sun on an epic space-rock odyssey, eventually turning left once they reached the dark side of the moon and burning up on reentry, crash-landing on every earthlings' home hi-fi. And it's all here–30 years of the Floyd's awesome back catalog trimmed down to two handsome CDs.

Pablo Honey in no way was adequate preparation for its epic, sprawling follow-up, The Bends. Building from the sweeping, three-guitar attackRadiohead that punctuated the best moments of Pablo Honey, Radiohead create a grand and forceful sound that nevertheless resonates with anguish and despair – it's cerebral anthemic rock. Occasionally, the album displays its influences, whether it's U2, Pink Floyd, R.E.M., or the Pixies, but Radiohead turn clichés inside out, making each song sound bracingly fresh. Thom Yorke's tortured lyrics give the album a melancholy undercurrent, as does the surging, textured music. But what makes The Bends so remarkable is that it marries such ambitious, and often challenging, instrumental soundscapes to songs that are at their cores hauntingly melodic and accessible. It makes the record compelling upon first listen, but it reveals new details with each listen, and soon it becomes apparent that with The Bends, Radiohead have reinvented anthemic rock.