Edsel is pleased to announce the release of a comprehensive Five Star box set, which has been personally curated by DENISE PEARSON. Five Star were managed by their Father, Buster Pearson who harboured the idea that his talented children could be the UK's 1980s version of an older Jackson 5. Following an appearance on BBC One's Pebble Mill in 1983, Five Star signed to RCA Records then spent 1984 honing their craft and performing at numerous club PAs around the country…
After creating a marvelous electronic debut, Glenn Gregory, Ian Marsh, and Martyn Ware decided to tamper with their winning formula a bit on Heaven 17's 1983 follow-up to Penthouse and Pavement. The result, which added piano, strings, and Earth, Wind, & Fire's horn section to the band's cool synthesizer pulse, was even better, and The Luxury Gap became one of the seminal albums of the British new wave. The best-known track remains "Let Me Go," a club hit that features Gregory's moody, dramatic lead above a percolating vocal and synth arrangement. But even better is the mechanized Motown of "Temptation," a deservedly huge British smash that got a shot of genuine soul from R&B singer Carol Kenyon.
Sampling the three periods of Alexander Scriabin's music, Vadym Kholodenko presents a coherent and colorful program that includes a representative handful of the early preludes, two of the middle piano sonatas, a set of etudes, and three of the poems for keyboard. While Scriabin's music steadily evolved from his youthful Chopinesque phase and a transitional, impressionistic period, similar in evocative harmonies and effects to Debussy, to a nearly atonal and atmospheric style all his own, there was always a virtuosic complexity in his piano pieces that makes it challenging for performers and listeners alike.
The Ultimate Christmas Album, Vol. 5 collects more pop and rock holiday tunes, this time venturing further into the '70s and '80s with songs like Paul McCartney & Wings' "Wonderful Christmastime," Hall & Oates' "Jingle Bell Rock," and Barry Manilow's "It's Just Another New Year's Eve." The collection still features traditional pop chestnuts, including Dean Martin's "A Marshmallow World," Johnny Mathis' "The Christmas Song (Merry Christmas to You)," and Andy Williams' "Sleigh Ride," but this volume's overall feel is more contemporary than classic. Other highlights include Manhattan Transfer's "A Christmas Love Song," the Waitresses' "Christmas Wrapping," the Tokens' "Little Drummer Boy," and the Jackson 5's "I Saw Mommy Kissing Santa Claus." If The Ultimate Christmas Album, Vol. 5 isn't necessarily the most coherent volume in the series, it's certainly one of the most interesting.
Though pianist Artur Pizarro's performances of the solo parts in Beethoven's Third, Fourth, and Fifth piano concertos are consistently superlative, it's not too much to say that the real draw here is not the soloist but the accompanists. Because as fine as Pizarro's virtuoso playing is, Charles Mackerras and the Scottish Chamber Orchestra turn in performances of such force, sensitivity, and balance that they may well be the finest accompaniments for these concertos ever recorded.
Alfonso Ferrabosco the younger (b. Greenwich, c. 1575; bur. Greenwich, March 11, 1628) was an English composer and viol player of Italian descent. Although he gained access to the royal court as early as 1592, it took him almost 10 years to come to the attention of the queen, but in 1601 he became a member of the royal consort of viols. Ferrabosco marks the true beginning of the English Baroque. When Elizabeth I died in 1603, her successor James IV appointed Ferrabosco as music teacher to Henry, Prince of Wales and Ferrabosco continued to work in the king's service, becoming Composer of the King's Music in 1625, in 1626 succeeding John Coprario in the post of official court musician. The respect shown for him by his contemporaries proves that Ferrabosco was the court musician of his day, borne out by the fact that he was also the most copied.
Looking at the cover, which shows Michael and none of his four brothers, one wouldn’t get the idea that this three-disc set is two-thirds Jackson 5 material. While Michael obviously features prominently in the Jackson 5 songs on The Motown Years, he gets one disc to himself. Altogether, this box collects all the essential J5 and Michael singles and more, including 'ABC', 'Never Can Say Goodbye', 'I Found That Girl', 'I Am Love', 'The Love You Save', 'Ben', 'Rockin’ Robin', and 'I Wanna Be Where You Are'. Released in the U.K., it retails for the price of a single disc and is a convenient way to scoop up a large quantity of high-quality ‘70s pop-soul.
Beethoven’s opus of 32 piano sonatas, known as “the New Testament of piano music”, is a landmark in piano literature. Spanning Beethoven’s entire life, the sonatas reflect his whole development as a human being and a musician, moving from one century into the next, from one epoch in music in to another. With the sonatas “Pathétique”, “Moonlight”, “Waldstein”, “Appassionata”, “Hammerklavier” and the final sonata op. 111, the cycle contains some of the most known piano pieces of all time.