In a way, the Ramones are an ideal band to anthologize. No matter how cohesive their records were (or not), their albums always played like collections of singles and since singles are easy to anthologize, it stands to reason that the best of the Ramones' songs will sound good in nearly any context; hell, the haphazard Ramones Mania proved that. However, Rhino's double-disc Hey! Ho! Let's Go: Ramones Anthology has much greater goals than being just another collection – it strives to be the final word on the Ramones.
Appearing one year after Rhino's Ramones box set Weird Tales of the Ramones, and appearing four years after Rhino's first single-disc Ramones collection Loud, Fast Ramones: Their Toughest Hits – which itself appeared after Rhino's excellent double-disc Hey! Ho! Let's Go!: The Anthology – Rhino's 2006 collection Greatest Hits serves up 20 of the group's basics. Unlike 2002's Loud, Fast Ramones, Greatest Hits makes no attempt to cover anything other than the group's peak period: the first 16 songs cover 1976's Ramones through 1980s End of the Century, with a selection apiece from Pleasant Dreams ("The KKK Took My Baby Away"), Subterranean Jungle ("Outsider"), Brain Drain ("Pet Sematary") and Too Tough to Die ("Wart Hog").
On the strength of the immense success of Dido & Aeneas and King Arthur, in 1692 Purcell went on to produce The Fairy Queen, based on Shakespeare’s A Midsummer-Night’s Dream. The work is, in fact, a ‘semi-opera’, or ‘opera with dialogue’, in which only some of the crucial scenes are provided with music. But this version of A Midsummer-Night’s Dream by the ‘Orpheus Britannicus’ became almost as famous as the play that inspired it, with its love scenes, its supernatural scenes and its innate sense of musical humour investing it with an irresistible savour and enchantment.This title was released for the first time in 1989.
Too Tough to Die is the eighth studio album by the American punk rock band the Ramones. It was released on October 1, 1984, and is the first Ramones record to feature Richie Ramone on drums. With ex-member Tommy Ramone producing, the recording process was similar to that of the band's 1976 self-titled debut album. Likewise, the record's style—both lyrically and compositionally—saw the band returning to their roots. The photograph on the album cover, which features silhouettes of the band members, resulted from a "lucky accident" after photographer George DuBose's camera malfunctioned.
Patrick O'Hearn is an American multi-instrumentalist musician, composer, and recording artist. While his musical repertoire spans a diverse range of music, he is an acclaimed new age and ambient artist in his solo career. In 1985, he began his solo career releasing music, which he continues to this day. Eldorado (1989). This is a marvelous experiment in contemporary, Middle-Eastern-flavored electro-acoustic music. O'Hearn seemed to be embarking on a new direction in his musical career with this thoughtful yet sensuous blending of ancient and modern modes of expression. The album features two prominent Iranian artists - singer Shahla Sarshar and violinist Farid Farjad - though the music was obviously ahead of its time in the notoriously conservative world of adult alternative music…
Foreign Affair is the seventh solo studio album by Tina Turner, released on Capitol Records in 1989. It was Turner's third album release after her hugely successful comeback six years earlier and although the album was not a major success in Turner's native United States, it was a huge international success in Europe. The album reached number 1 on the UK Albums Chart, her first number one album there. The album includes the single "The Best" which has gone on to become one of Turner's best-known songs.