The Complete Keen Years: 1957–1960, collects Sam Cooke’s body of work as he began releasing secular albums, stepping away from the Soul Stirrers where he found great success as a gospel singer. Cooke had been releasing and dominating the gospel sales market over the six years previous to “You Send Me” and “Summertime” being released. Within this newly remastered collection are his unique versions of standards alongside performances that showcase his songwriting skills. Sam Cooke defined himself as a voice ahead of his time elevating the sound of soul at the turn of the decade.
This box contains 16 Apple Records albums, originally issued between 1968 and 1974. There is also a brand-new single compilation Come And Get It: The Best Of Apple Records. Each original album has been re-mastered and the vast majority features bonus material, as well as new packaging that includes updated notes and visuals.
Barbara McNair is certainly not the only singer to get lost in the shuffle at Motown at the company's mid-'60s zenith, but her tenure there seemed particularly star-crossed – as this 48-track Ultimate Motown Collection illustrates, much of her finest material was inexplicably withheld from release (in particular the much-bootlegged Northern soul classic "Baby a Go-Go"), while official singles like "My World Is Empty Without You" were issued in the wake of existing hit renditions by other Motown artists. But McNair boasted a genuinely sophisticated, sexy style that was unique in the Motown canon, and her voice – though by no means a powerhouse – is nevertheless stronger and more affecting than Diana Ross, whose hand-me-downs she often received. Compiling her full-lengths Here I Am and The Real Barbara McNair, the unreleased Barbara McNair Sings Smokey, non-LP singles, and rare vault material, this two-disc set finally pays McNair the respect she's always deserved – complete with informative liner notes and excellent sound, it's tough to imagine a better representation of her music.