Raul Pupo

Considered as one of the most important Spanish composers of his time, together with Victoria and Morales, Guerrero’s music has very rarely been recorded. This magnificent music comes now to the light in its full splendour and glory. This CD contains motets and hymns chosen primarily for their great interest and outstanding quality. The purity and the spirit of this music deserve to be discovered by the most exigent music lovers.

Cristóbal de Morales was the finest Spanish composer of the early 16th century (2000 marked the 500th anniversary of his birth ca. 1500, possibly in Seville). He was also one of the most important contributors to a repertoire of musical settings used in the liturgy for the dead. His five-voice Requiem (or Missa pro Defunctis, as it was originally called) was published in Rome in 1544 while he was a member of the Papal choir, and from there it became widely known across Europe. This overwhelming and impressive music was probably sung in 1599 in Mexico as part of the memorial ceremonies for Emperor Charles V (almost an exact contemporary of Morales), and then in 1598, in the context of a full Requiem Mass celebrated in the Cathedral of Toledo upon the death of Philip II.

Victoria is probably the best known Spanish composer of the Renaissance. His intense, emotional music, is considered the peak of the Golden Age of Spanish polyphony and his works are sung by every and all vocal ensemble worldwide. The perfection of his style and the serene and austere beauty of his output have made of Victoria a favourite among the music lover, who will possibly find it very interesting to have this masterpiece available, intensely sung by a Spanish chamber choir.

Sílvia Pérez Cruz & Raül Fernandez Miró - Granada (2014) {Universal Music Spain 0602537822270}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 250 Mb | MP3 @320 -> 126 Mb
Full Artwork @ 300 dpi (jpg) -> 28 Mb | 5% repair rar
© 2014 Universal Music Spain | 0602537822270
Jazz / Flamenco / Contemporary Flamenco / World Music / Acoustic Guitar / Vocals

Make a cover album is always a risky exercise. I would say more extreme: play with material already walking the recesses of the brain of the listener can pave the way or condemn a brainy game outright rejection revision. Over eighteen years ago, one of the greatest singers of all time was a machete forget to Cohen and raised the maximum voltage level one piece, coated vocals and layers, would rock the annals of the twentieth century: "Little Viennese waltz" became "Omega", thanks to the duo Enrique Morente and Largatija Nick, untouchable, sacred. Until now.

The works of Tomás Luis de Victoria are today an international paradigm of the Spanish Renaissance heritage. This master, born in Avila, rises like a standard-bearer from the huge spectrum of Spanish composers who carried the art of polyphony to its highest musical and liturgical significance.

Don’t Hesitate is a musical and personal milestone for Midуn, who took control of every aspect of the album’s recording process, despite being blind since birth. The artist cut all of the tracks in his home studio, playing most of the instruments himself and handling all of the project’s technical elements on his own, utilizing special computer software that enabled him to engineer the sessions.