Ray Kyrzweil

Ray Charles was one of the most iconic and influential artists in the annals of pop as a singer, songwriter and pianist, and while he is considered one of the godfathers and great innovators of soul music, his work transcended the worlds of jazz, blues, gospel, R&B, rock ‘n’ roll and country and western as well. Afflicted by blindness, he turned to music in his early life, and began recording for the Swing Time label in 1949 as a member of The Maxim Trio. In a career spanning half a century, he racked up over 100 chart entries, with well over 40 coming in this seminal first quarter-century or so of his career. This excellent-value 125-track 5-CD collection comprises just about all his A & B sides released on the Swing Time, Atlantic, ABC-Paramount and Impulse labels during these years. It features all his 46 Pop, R&B and UK chart entries from this era, including the pop No. 1s “Georgia On My Mind”, “Hit The Road Jack” & “I Can’t Stop Loving You” and the R&B No. 1s “I’ve Got A Woman”, “A Fool For You”, “What’d I Say”, “Unchain My Heart”, “One Mint Julep” & “You Are My Sunshine”, encompassing his time as the pillar of the Atlantic roster and the hits from his landmark albums for ABC-Paramount “Modern Sounds In Country & Western Music”. It’s a substantial and comprehensive overview of his chart-focused output during these years as part of a dynamic and exciting pop and R&B landscape, and a thoroughly entertaining showcase for his unique talents as singer, composer, pianist and arranger.

This box-set contain all of Ray Wilson's eight studio albums he has released either on his own or in band projects he was involved in (the only exception is Stiltskin's debut album The Mind's Eye).

A music legend like no other, Ray Charles earned the nickname "Genius" for recording countless jazz, country, R&B and pop masterpieces during a career that spanned seven decades. This Box Set features mono mixes for the seven outstanding solo studio albums he recorded for Atlantic Records. For this new collection, the following albums have been fully remastered from the original mono analog tapes, echoing the experience of the era, when most fans were hearing music on record players, jukeboxes and radios that played music monaurally: "Ray Charles" (1957), "The Great Ray Charles" (1957), "Yes, Indeed!" (1958), "What'd I Say" (1959), "The Genius Of Ray Charles" (1959), "The Genius After Hours" (1961), and "The Genius Sings The Blues" (1961).

The Grand Master 1944-1962: His Inspiration, His Influence is een album van Ray Charles uit 2024 en is uitgebracht onder het label Fremeaux

4CD Remastered collection of 6 original albums from the soft vocal group that worked with Ray, Perry Como & others. Includes 'Winter Wonderland', 'Love & Marriage', 'In The Evening By The Moonlight', 'Deep Night', 'Something Wonderful' & 'Rome Revisited'

Ray is a talent that cannot be put into words; his voice, his music is, of course, classic. This is a very good collection of his songs. Also, the 3 CD's look like the 45's you may or may not remember. Some artists can take any song and make it wonderful, Ray is an example of that talent.

Though this is not the most recent Ray Charles box set collection, it may be the best. That's because it focuses on Ray's great growth in the 1950s, particularly his days with Atlantic Records. The set opens with Ray still in a Charles Brown, smooth-voice, mellow-piano mode, but in short order, he discovers his own identity. From the good time of "It Should Have Been Me" on disc one, though the orgiastic "What'd I Say, Parts 1 & 2" on disc three, the man they call "The Genius" rocks, rolls, raises the rafters, and sinks way down low with the blues. This box also features an excellent essay by the late music historian, Robert Palmer. –Robert Gordon

Released in celebration of what would have been Ray Charles' 90th birthday, True Genius is a deluxe 6CD box set, released with the participation and support of the Ray Charles Foundation, containing 90 of Ray Charles' biggest hits, containing music from every album he released from 1960 on, and a previously unreleased concert from 1972. The 44 page book which accompanies the music has liner notes written by Quincy Jones, Valerine Ervin (President of the Ray Charles Foundation) and A. Scott Galloway.

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