Rebecca Louise

"Chamber music from two female composers who were overshadowed by men. It's amazing how much great music has gone unperformed because the composer was a woman. ""In the end, Rebecca Clarke and Louise Farrenc didn't compose in the shadow of men, but in spite of men. And their voices carry all the way here."" Dramaturg and freelance writer Maija Alander's text in the album's booklet ends with these words."

Hyperion's Romantic Piano Concerto series reaches its 70th album with this program of three concertos by women. The ongoing success of the series suggests that audiences are ready and waiting for wider repertoire, and pianist Danny Driver and the BBC Scottish Symphony Orchestra under Rebecca Miller deliver a real find here. The Piano Concerto in C sharp minor, Op. 45, of American composer Amy Beach has been performed and recorded, but it's been in search of a recording that captures the autobiographical quality of the work, well sketched out in the booklet notes by Nigel Simeone. Essentially, Beach faced creative repression from her religious mother and to a lesser extent from her husband, who allowed her to compose, but only rarely to perform. These experiences, it may be said, poured out in this towering Brahmsian, four-movement piano concerto, which sets up an unusual quality of struggle between soloists and orchestra. It's this dynamic that's so well captured by Driver and Miller (who happen to be married to each other). Sample the opening movement, which has lacked this quality in earlier performances.

The first female Professor at the Paris Conservatoire, the first female player in the Queens Hall Orchestra and the first female American Symphonist to be published. The Neave Trio celebrate these three outstanding pioneers on this captivating album. Since forming in 2010, Neave Trio violinist Anna Williams, cellist Mikhail Veselov, and pianist Eri Nakamura has earned enormous praise for its engaging, cutting-edge performances. WQXR explains, ""'Neave' is actually a Gaelic name meaning 'bright' and 'radiant', both of which certainly apply to this trio's music making."" The Boston