After the double album of the violin and harpsichord sonatas with Kristian Bezuidenhout, a bestseller in 2018, here is the next instalment in the Bach recording adventure that began nine years ago with a set of the sonatas and partitas now regarded as a benchmark. Isabelle Faust and Bernhard Forck and his partners at the Akademie für Alte Musik Berlin have explored patiently a multitude of other works by Bach: harpsichord concertos, trio sonatas for organ, instrumental movements from sacred cantatas… All are revealed here as direct or indirect relatives of the three monumental concertos BWV 1041-43.
Johann Sebastian Bach and the Akademie für Alte Musik Berlin go back a long way together! This recording, made with the welcome participation of Isabelle Faust and Antoine Tamestit, follows the complete violin concertos (2019), which left a lasting impression. Returning regularly to the inexhaustible source of the Brandenburgs ever since a memorable first recording in the late 1990s, the Berlin musicians have achieved a sovereign mastery of what is not a single work, but six, which, under their fingers, are successive episodes of a piece of musical theatre in love with dance, transparent sound and freedom. An exhilarating experience!
In 1727, having just become a naturalised British subject, Handel was commissioned to write a set of anthems for the coronation of George II. Since he could hardly have expected ever to see a more majestic occasion, the composer took full advantage of it to put on a musical firework display of unprecedented splendour. The RIAS Kammerchor and the Akademie für Alte Musik Berlin give thrilling accounts of these flamboyant works – some of which are still used today at each new coronation!
This new album rounds off the complete recording of the symphonies of Carl Philipp Emanuel Bach that the musicians of the Akademie für Alte Musik Berlin began over two decades ago. The final batch offers the quintessence of his art, revealing the full originality of Johann Sebastian’s inspired son, whose freedom and inventiveness paved the way for Haydn and Mozart.
Akademie für Alte Musik Berlin returns to Pentatone together with soprano Christina Landshamer, presenting La Passione, a collection of dazzling concert arias on love, longing and loss by Mozart, Beethoven and Haydn, paired with the latter’s “La Passione” Symphony. Ranging from pastoral simplicity to exuberant outrage, the programme offers some of the finest vocal writing around 1800, including some of Beethoven’s rare and little-known excursions to Italian bravura opera, as well as one of the most dramatic and expressive symphonies of the eighteenth-century.