Red Dawn Poledouris

The title of the album also defines the musical route. Modern arrangements and traditional instruments are being united. The globalization of music styles has been taking place, frontiers are torn down and multiple musical facets from Asian and Far Eastern areas are melted together. From this mix, arises the exotic modern attraction, colorful, brilliant, similar to the modern fashion…

Simply Red are a pop institution, at least in areas of the world that are not the United States, and like all institutions, they're in need of a monument to their longevity. Song Book 1985-2010 is that monument, a four-disc box set that tells their story, concentrating on their hits but also adding a disc of new recordings where they revisit deep cuts from their catalog, refashioning them so they sound similar to latter-day Simply Red. This last disc is for the diehards but the rest is for those who have enjoyed hits from "Holding Back the Years" through "Stay," the group's last charting U.K. Top 40 single. All the hits are here, along with enough album tracks to give this weight, and if it's too much for American fans who only remember "Holding Back the Years," "If You Don't Know Me by Now," and maybe "Money's Too Tight (To Mention)," with its comprehensive sprawl it nevertheless illustrates the longevity of Mick Hucknall's blue-eyed soul group.

Power Pop legends who continually get airplay on Underground Garage, KCRW, domestic and International and internet radio. Critically acclaimed and commercially successful first two albums (both remastered) included in set PLUS EP of 6 new original songs along with 4 unreleased 'unplugged' rarities. Member Seth Swirsky just came off a highly lauded solo album 'Circles and Squares'. Will appeal to all fans of Power Pop.

Simply Red entered a holding pattern after 1991's Stars, turning out two records in a row that essentially replicated its charms, only with diminishing returns. Mick Hucknall must have realized he was stagnating, since 1999's Love and the Russian Winter is the first time since Stars that he's shaken up his sound. It's still recognizably Simply Red, as it trades in '70s soul and jazz-pop influences, but there are a number of reasonably contemporary influences added into the mix. As it turns out, these influences are largely based in house music, which means that Simply Red took some weird middle ground between Everything But the Girl and Soul II Soul.

Red Garland's third session as a leader finds the distinctive pianist investigating eight standards (including "Please Send Me Someone to Love," "Stompin' at the Savoy," "If I Were a Bell," and "Almost Like Being in Love") with his distinctive chord voicings, melodic but creative ideas, and solid sense of swing. Joined by bassist Paul Chambers and drummer Art Taylor, Garland plays up to his usual consistent level, making this an easily recommended disc for straight-ahead fans.