Electro-Blues is a double digipack CD and download album featuring one side of vintage and another of vintage-influenced sounds. Forget the stale world of the blues historian and purist. This is all about taking a fresh look at what constitutes the blues in both sound and attitude. We aim to side-step the cliches and re-examine a genre. Side one features an introductory over-view of some amazing contemporary artists, producers and performers. They are linked by their explorations remixing and re-modeling this incredible, earthy and enduring musical form…
Charlie ‘Yarbird’ Parker should need no introduction; recognised as one of the twentieth century’s true musical greats, he revolutionised saxophone playing in the forties. The recordings on these three CDs capture him in the very act, and additionally present jazz at a crucial time, when swing was shortly to give way to bebop, and when the blues could be played with a big band before r&b took over. Many of the recordings here were not made commercially - some are from radio broadcasts, some were made in concert, and a few, such as the fascinating opener, just Bird and his sax tackling ‘Honeysuckle Rose’ and ‘Body And Soul’, were never intended to be heard outside of the immediate circle.
In the 1970s, Bessie Smith's recordings were reissued on five double LPs. Her CD reissue series also has five volumes (the first four are double-CD sets) with the main difference being that the final volume includes all of her rare alternate takes (which were bypassed on LP). The first set (which, as with all of the CD volumes, is housed in an oversize box that includes an informative booklet) contains her first 38 recordings. During this early era, Bessie Smith had no competitors on record and she was one of the few vocalists who could overcome the primitive recording techniques; her power really comes through.
For the first time, Little Steven’s music from the ground-breaking first original series, Lilyhammer, which ended in 2014, has been collected together and will be released as two separate albums – Lilyhammer The Score – Volume 1: Jazz and Volume 2: Folk, Rock, Rio, Bits And Pieces – on CD, digital and 180g black vinyl on 12 July via Wicked Cool/UMe.
In the late 1950s, the emergence of Playboy Magazine and the appearance of "nudie cutie" movies like The Immoral Mr. Teas had made burlesque seem passé in the eyes of many, and by 1962, the art of the striptease was far enough out of fashion to become a nostalgia item. In 1959, Gypsy, the musical about the life of burlesque star Gypsy Rose Lee, was a hit on Broadway, and two years later, Ann Corio, who had been a well-known "peeler" in the '40s and '50s, launched her stage revue This Was Burlesque, which re-created the baggy-pants comedy and sexy dance numbers that were burlesque's bread and butter. The show jump-started Corio's career and was in production in New York or on the road until the early '90s; inspired by the success of the show, Roulette Records (who had released This Was Burlesque's original cast recording) teamed with Corio to produce the 1962 album How to Strip For Your Husband…
Reissue with the latest DSD remastering. Comes with liner notes. During the years 1935-1939 pianist Teddy Wilson led a series of small recording bands peppered with some of the world's most accomplished and influential jazz musicians. That's why "Teddy Wilson & His All-Stars" is an accurate heading for this collection of 16 tunes recorded between July 31, 1935 and November 1, 1939. Wilson's ability to summon many of the best improvisers of his generation yielded results that continue to delight and entertain those who take the time to savor the solos and marvel at the integrity of the ensembles. Collectively, Wilson's players as heard here included trumpeters Irving "Mouse" Randolph, Cootie Williams, Roy Eldridge, Buck Clayton and Jonah Jones, as well as trombonist Benny Morton.
Svensk Jazzhistoria is a comprehensive series of reprints of historically important phonograms of Swedish jazz from its beginning until 1979.