Relapse Records Polish Assault [split] (2000)

Charlie Parker - At The Open Door (1953) {2CD Set Ember Records EMBCD 508 rel 2000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 326 Mb | MP3 @320 -> 156 Mb
Full Artwork @ 300 dpi (jpg) -> 51 Mb | 5% repair rar
© 1953, 2000 Ember Records / TKO Magnum Music | EMBCD 508
Jazz / Bebop / Bop / Alto Saxophone

On July 26, 1953, Charlie Parker performed at the Open Door, a club near Washington Square in New York's Greenwich Village, with trumpeter Benny Harris, pianists Bud Powell and Al Haig, bassist Charles Mingus, and drummer Art Taylor. This was exactly when Jack Kerouac was hanging out at the Open Door, absorbing the sights and sounds and taking notes that would soon form the basis for his novel The Subterraneans. It is possible and even likely that Kerouac was in the audience while these recordings were being made. The aural ambience is literally shaped by the room, the cigarette smoke, the crowd, the intoxicants, and the primitive tape-recording apparatus used to capture these precious moments near the end of Charlie Parker's brief life.

Phil Manzanera & 801 - Listen Now (1977) {Expression Records–Virgin EXPCD17 rel 2000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 344 Mb | MP3 @320 -> 130 Mb
Full Artwork @ 600 dpi (jpg) -> 230 Mb | 5% repair rar
© 1977, 2000 Expression Records / Virgin | EXPCD17 / 7243 849276 22
Rock / Prog Rock / Art Rock / Electronic / Experimental Rock

Phil Manzanera had no problem filling his mid-'70s downtime away from Roxy Music. His guitar graced some 20 albums, like John Cale's Fear, Eno's Here Come the Warm Jets, and Nico's The End. This outing from his all-star side group is slicker than his 1976 live debut album, but no less worthwhile; some 16 musicians are credited. The sound is sleek and sophisticated; even lyrics aren't exempt from creative twists, as shown on "Listen Now"'s glistening jazz-pop – which cleverly juxtaposes its title against a bouncy "now, now, listen" chorus.

The crusaders' dilemma is clearly exemplified in the song Seigneur, saichies by Thibaut de Champagne. "He who does not leave at once for the land where Christ loved and died, and takes the cross … will hardly go to paradise" and yet in the words of another song by Thibaut "God, why did you create foreign countries? It has parted many lovers who have lost comfort of love and forgotten its joy." There was, though, a joy greater than this: "It is good to be God's servant, and not to be touched by danger or chance; Serve well and be rewarded well." (Conon de Bethune). It is still, even at a distance of 800 years very touching to read these words and to hear these songs; they retain a strong quality, which, in these performances, is captured very well.

This four-disc box set takes the listener on a detailed tour of the Eagles' career. One of the most successful American groups of the '70s, the Eagles combined country-rock roots with the burgeoning L.A. soft-rock aesthetic that reigned in the U.S. at the time…

Black Seeds of Vengeance is the second album by American technical death metal band Nile. The album was released on September 5, 2000 through Relapse Records. Black Seeds of Vengeance marks the first album in Nile's discography to feature extensive liner notes in the booklet, written by Karl Sanders to explain the concept and themes behind each song. The band also began undertaking an even more complex musical direction from the last album. This is also the first Nile album to feature the vocal and guitar talents of Dallas Toler-Wade, who has performed on all subsequent Nile albums, as well as the first and only appearance of Derek Roddy on a Nile album as a session drummer only. He performs on all tracks except for "To Dream of Ur". Prior to recordings, Pete Hammoura left the band due to injuries sustained while touring.