Henderson had been doing quality work for years on numerous independent and foreign labels, and 1979's Relaxin' at Camarillo, is just one among many examples of that. There are five selections, only one less than eight minutes long, with the usual Henderson attributes: full, deep tone, keen ideas, and an ability to sweep through registers and across octaves with ease. Chick Corea made an excellent partner, playing with none of the self-consciousness that crops up repeatedly in his fusion and electric fare. Bassists and drummers were interchangeable, although you can certainly tell Tony Williams from Peter Erskine (and that's no knock on Erskine).
Charlie Parker's historic Dial sessions have been reissued in a variety of ways over the years. This is especially true since the advent of the compact disc. These sessions not only capture Parker's alto brillance but highlight his interaction with such jazz stalwarts as Dizzy Gillespie, Miles Davis, Duke Jordan, Max Roach, Erroll Garner, Howard McGhee and Dodo Marmarosa. This four-disc set is broken up into Hollywood Sessions 1: Moose the Mooche, Hollywood Sessions 2: Relaxin' at Camarillo, New York Sessions 1: Scrapple from the Apple, and New York Sessions 2: Drifting on a Reed. It's fortunate that these slices of jazz history are available allowing the listener to hear several takes of classics like "Moose the Mooch," "Relaxin at Camarillo," "Scrapple from the Apple," and "Ornithology" take shape. Sound quality on these Stash discs is good for the most part, fair but not great on others.