From the national hits of Normie Rowe, Johnny Young and Dinah Lee to the hitmakers who found fame primarily in their home State.including Kinetics, In-Sect, Jon Blanchfield and The Cherokees among many others. Over 40 homegrown gems in all - each and every one a chart hit, somewhere around the country during the 1960s.
This set contains all five volumes of the legendary We Can Fly series in an individually numbered limited edition of 1000. There are over 130 tracks here, which have been remastered for this release, sounding better than ever. Although a few pops and clicks remain, showing up the vinyl source of the material, the overall sound quality is very good.
The "forgotten" series from NOW has been great. We have now reached the 1960s and there are many forgotten gems on here. But they do say that if you can remember the 60's you weren't there. There are some, I must admit, I have never heard of and most of this seems a bit middle of the road and listening today it is clean quite how and why The Beatles had such a massive impact.
NIGHT COMES DOWN continues RPM’s ongoing pedigree in creating bespoke Sixties compilations of rare British music aimed at discerning collectors. This 3-CD box set follows previous collections Looking Back (2011) and Keep Lookin’ (2014), which ran the gamut of musical styles which emanated from the UK, diverse and yet united in their dancefloor appeal, from the discotheques of the day to nouveau Mod clubs in the 21st century.
A set that definitely lives up to the poetry promised in its title – with none of the too-clean sounds you might guess from its hand-washing reference either! The album's one of the freest, most organic sessions we've heard from pianist Masabumi Kikuchi – almost improvised at points, but with a poetic cohesion in the piano lines that's really great – kind of an offbeat sense of lyricism that points in the same directions that Steve Kuhn or Keith Jarrett were heading in the late 60s. Drummer Masahiko Togashi plays lots of cool percussion and even a bit of gong – and Gary Peacock's bass here is as great as on any of his other excellent Japanese recordings. Titles include "Dreams", "The Trap", "The Milky Way", "Apple", "Get Magic Again", and "End".
Two classic easy-listening albums by Paul Mauriat and His Orchestra, originally released in 1984 and 1990 on the Philips label, together on one CD and remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound. French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."