Mal Waldron is accompanied by a trio of Japanese players for this fine album, recorded in Japan in 1982. As the title suggests, it's a look back, celebrating one of Waldron's key influences, Thelonious Monk. "Blue Monk" is given a relaxed and regal treatment, as Waldron's bedrock chording supports the higher register melody played in tandem on piano and sax. The set as a whole has a bluesy feel to it, with "I Can't Get Started" gliding along as gracefully as a solitary ice skater in a light snowfall. Waldron's varied discography has found him recording for numerous labels, especially in the '70s and '80s, and this date didn't find a U.S. release until eight years after it was recorded; however, it's well worth adding to any Waldron collection.
The anticipated debut album from Sundara Karma. This is a band we've been into for a good while now, they played at New Slang with The Wombats and we've been excited by singles like Loveblood and Flame. A great UK guitar-indie-band doing the indie thing their own way! Fans of Blossoms, Swim Deep and The Kill.
This, the second release of the highly anticipated Retrospect Ensemble series, features the Easter Oratorio, one of Bach's best-known oratorios and a monumental work, as well as the Ascension Oratorio. Retrospect Ensemble employs large-scale forces for this recording including four-part choir and orchestra (including timpani). This dynamic recording highlights the skill and brilliance of Bach's writing through the inspired story telling of its star soloists and the passion of the Ensemble.
21 previously unissued solo tracks recorded between 1962–1965.