Return to Me (2000)

It takes a few spins to understand, and it is one of this prolific singer's many, many recordings, but when you spend some quality time with You Know Me, it starts unraveling its secrets in ways that only a truly great recording can. "Any Heart" is pure power, with the band weaving textures around Jackie DeShannon's distinctive vocal, the guitar relentless as it sustains the wall of sound. A true labor of love, few artists can produce a song this strong, and the fact that it follows three equally powerful compositions is evidence of the majesty that sweeps across all 14 tracks. "Steal the Thunder" opens the album with authority – the resonating grandeur Eric Carmen's "Hungry Eyes" contained, with a better hook. DeShannon places everything in perfect order, the vocal gliding over a groove that is rock-solid. "Wing Ryder" changes the pace, and you get the idea that this major songwriter is building an album more complex than Carole King's Tapestry – sheer art for art's sake. It ebbs and flows with an elegance younger musicians are too impetuous to seek out. The keyboards and guitars in "Wing Ryder" fuse styles that Fleetwood Mac and the Eagles were employing.

Austin-based guitarist, songwriter, and singer Chris Duarte has often been compared with the late Stevie Ray Vaughan. It's heady stuff for the musician, who plays a rhythmic style of Texas blues-rock that is at times reminiscent of Vaughan's sound, and at other times reminiscent of Johnny Winter. The truth is, Duarte has his own sound that draws on elements of jazz, blues, and rock & roll. Although he is humbled by the comparisons with the late Vaughan, the San Antonio-raised musician began playing out in clubs there when he was 15 years old. After Duarte moved to Austin when he was 16, he began taking his guitar playing much more seriously, and at that time, Vaughan was still around playing in Austin-area clubs.

Return of Saturn is an almost defiantly mature record about two things: Stefani's exploration of a troubled romance and her own romantic ideals, plus a serious attempt by the group to not only keep new wave alive, but to make that adolescent music relevant to an older audience. It's a high concept, but Return of Saturn is filled with satisfying contradictions. It's melodic, but deceptively complex; it can seem frothy, but it's never frivolous. No Doubt's desire to expand the emotional template of new wave is the perfect match for Stefani's themes – she may be writing about love, but she's not writing adolescent love songs. Fragments of her teenaged romantic fantasies remain, but she's writing as a woman in her late 20s. She's tired of being another "ex-girlfriend" – she wants to fall in love, get married, and have a family. It's a subject that's surprisingly uncommon in pop music, which would alone make Return of Saturn an interesting album. What makes it a successful one is that the band delivers an aural equivalent of Stefani's lyrical themes.

Return to Pepperland is a cancelled Paul McCartney album recorded in 1984–1987. The album was built up of mostly home demos and was a reflection of work from McCartney's career as a member of the English rock band the Beatles…

Return is a Norwegian rock band that peaked in popularity during the late '80s with a hair metal style that went out of fashion in the early '90s. With several Top Ten smash hits to its name, most of them power ballads, the band reunited after the turn of the century and proved popular as a concert draw. Founded in 1980 in Stange, Norway, the band is comprised of Knut Erik Østgård (vocals, guitar), Steinar Hagen (guitar, vocals), Tore Larsen (bass, vocals), and Øyvind Håkonsen (drums). Return scored their initial breakout hit in 1985 with "Sheila," and a couple years later they made their full-length album debut with To the Top (1987), a Top 20 hit on the Norwegian albums chart that includes the early hit "Sing Me a Song" in addition to "Sheila."