Reza Vali Flute Concerto Deylaman

French composer François Devienne enjoyed great esteem with his successful operas in the Revolutionary years of 1792-97, but it was as a composer for wind instruments that he has won his place in musical history. The four Flute Concertos in volume 2 of the complete set show a combination of melodic elegance and graceful virtuosity that characterises much of his work. Especially notable in this respect is No. 6 in D major, a compositional tour de force, rich in thematic material and panache, and one of the finest wind concertos of its epoch.[

Sabine Dreier Classical flautist.

This double album brings the beautiful collection of 6 flute concerts to life. Written as a trio sonata this extraordinary music gives the flute and the guitar lover a broad idea of the repertoire that is out there waiting to be rediscovered. Great baroque music for three popular instruments. Recorded in Madrid at "Jesùs and Mary" College Concert Hall, February 1996 by Bob Painter.

Il presente progetto discografico di Tommaso Bencioliniè nato con lobbiettivo di raccogliere per la prima volta in un'unica registrazione tutti i lavori pensati sin dal principio da Vivaldi come pagine solistiche dedicate al flauto (da qui il titolo di copertina Original Flute Concertos). Il programma si apre col concerto in Re maggiore RV 427, caratterizzato dallincipit a triplice rintocco tipico della sinfonia avanti lopera. In questa pubblicazione proponiamo in prima assoluta - una versione alternativa del primo movimento caratterizzata da soli più complessi e virtuosistici, scritti da Vivaldi in seguito a una prima stesura strumentalmente semplice e lineare, ma poi cassati. Forse questo avvenne per favorire una più facile diffusione dellopera anche tra gli esecutori dilettanti, o forse per un semplice ripensamento, ma ci è parso degno di interesse riportare alla luce una pagina che può rivelarsi preziosa veduta sul dietro le quinte del processo compositivo, oltre che ulteriore conferma della padronanza del linguaggio strumentale flautistico da parte di Vivaldi. Segue il concerto in Sol maggiore RV 436, il quale che conobbe unottima diffusione testimoniata dal ritrovamento di copie del manoscritto a Berlino e Stoccolma e che fu per anni erroneamente attribuito al tedesco J.A. Hasse.

"Il Prete Rosso" - the red priest, Antonio Vivaldi got this nickname because of his red hair. He came to the famous Venetian girls' orphanage Ospedale della Pietà as a young priest and violin teacher. There he also became acquainted with the instrument of the transverse flute, which was new at that time, played at the Ospedale by a girl called "Lucieta traversie". Vivaldi recognised the technical and expressive possibilities of the transverse flute and used it in a wide variety of genres.

Sony Music Odyssey Presents Classical Oboe, Clarinet, And Flute Performances: The Definitive Collection , includes another 40 amazing Classical Music, Instrumental, Easy Listening. Must have for all Classical Music, Instrumental, Easy Listening lovers, when Support artists Alexander Kiskachi, St. Petersburg Orchestra & Alexander Titov, Hansjörg Schellenberger & Franz Liszt Chamber Orchestra, Frans Brüggen, Edward Witsenburg, Frans Vester & Mozart Ensemble Amsterdam, Marie-Céline Labbé & Amanda Keesmaat, Benny Goodman, Columbia Symphony Orchestra & Aaron Copland filled with the contrast of this selection. Our website offers publication are available for acquaintance of listening and acquisition. The material is designed and signed as a reference on your choice of several exchangers file. Convenience, reliability and availability, is the property of our portal, efficiency and commitment to new heights, as well as the immensity of the creative transformation.

Flutist Sharon Bezaly has dazzled listeners and critics all over the globe, even being called “God’s gift to the flute.” With almost 40 releases to her name, her wide-ranging discography includes both standard repertoire and selections written specifically for her. This release is owed to two fellow world-class flutists, Jean-Pierre Rampal and Gunilla von Bahr. Rampal was the flutist who arranged Aram Khachaturian’s virtuosic violin concerto for the flute, at the suggestion of the composer. “Dances with the Winds,” Einojuhani Rautavaara’s 1974 composition, is dedicated to Gunilla von Bahr. Rautavaara’s “Dances with the Winds,” is an interesting addition, as the first and last movements are scored for bass flute, while the second movement is written for piccolo, and the third for alto flute. In a later revision, the composer replaced the bass flute with the alto. Bezaly includes both versions on this recording.

Francois Devienne performed as an orchestral bassoonist and flautist but rose to fame as an operatic composer. His greatest achievement, however, lies in his sequence of Flute Concertos, of which this is the final volume. Despite his failing health, the four works on this recording demonstrate the hallmark combination of melodic elegance and graceful virtuosity that characterizes Devienne’s flute concertos and are among the most attractive of their time. Concerto No. 10 is one of his masterpieces, distinguished equally by the beauty of its thematic material and its confident, cohesive musical structure.