Rhinocam 2023

The English born soloist Solomon (the only name he ever used in his professional life) was fortunate in having found success in two separate careers as a pianist. From the age of eight until his early teens, he was one of the most celebrated child prodigies of his era, a national phenomenon in England right up until the time of the First World War. He developed a distaste for his instrument, however, and on the advice of conductor Sir Henry Wood, he gave up music for several years.

When it comes to the great English pianists of the twentieth century, none was greater than Solomon. Born Solomon Cutner, he was a child prodigy who worked himself into a nervous breakdown by the age of 15.

CHICAGO CHRISTMAS COMPLETE features all three of Chicago's classic Christmas albums - FROM WHAT’S IT GONNA BE, SANTA?, O CHRISTMAS THREE, and CHICAGO CHRISTMAS - in a 3CD set.

New Order are pleased to announce a remastered series of formats from Substance 1987, which was released via Warner on November 10th.

The Philadelphia Woodwind Quintet; founded in 1950; comprised the principal woodwinds and French horn of The Philadelphia Orchestra. They made their recording debut for Columbia in 1953: four players from the ensemble were joined by pianist Rudolf Serkin in the Beethoven and Mozart Quintets in E-flat. Serkin; a frequent soloist with the orchestra; had been so taken by the artistry and tonal colors of its first-chair winds that he approached them about making a record together. So began the group’s history at Columbia’s 30th Street Studio in Manhattan. It would span 15 years; during which the ensemble naturally focused on the many outstanding works scored for standard woodwind quintet. But guest performers often joined them on recordings as well as in concerts; extending their repertoire to include not only composers of their own time; but even music outside the classical sphere written by the legendary jazz trumpeter Ornette Coleman.

Between January and April 1975, classically trained, award-winning jazz pianist and composer Dick Hyman - whose prodigious resume includes playing with Dizzy Gillespie, Charlie Parker and Benny Goodman, writing and arranging for Count Basie, and scoring most of Woody Allen's films - went to RCA's Studio A in New York City and made the definitive recording of ragtime legend Scott Joplin's piano works.

Igor Stravinsky was one of music's truly epochal innovators; no other composer of the 20th century exerted such a pervasive influence or dominated his art in the way that Stravinsky did during his seven-decade musical career. Aside from purely technical considerations such as rhythm and harmony, the most important hallmark of Stravinsky's style is, indeed, its changing face. Emerging from the spirit of late Russian nationalism and ending his career with a thorny, individual language steeped in 12-tone principles, Stravinsky assumed a number of aesthetic guises throughout the course of his development while always retaining a distinctive, essential identity.

THE COLLECTION II spotlights Van Halen’s second incarnation, with singer Sammy Hagar, guitarist Eddie Van Halen, drummer Alex Van Halen, and bassist Michael Anthony. The upcoming set includes newly remastered versions of four multi-platinum studio albums, along with a selection of rarities recorded between 1989 and 2004. All the music in the set was mastered directly from the original master tapes, a process overseen by the band’s longtime engineer, Donn Landee.

The Rite of Spring is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece and is widely considered to be one of the most influential musical works of the 20th century.