One of Cherry's strongest records from the 70's -- originally called Don Cherry, and released on A&M. The record's an album that takes the tripped-out spacey jazz sound he was working on, and adds some nice electric moments, with occasional slight touches of funkiness, and comes up with a cool vibe and a tightness that only adds more to his great playing. Ricky Cherry plays electric and acoustic piano, and Frank Lowe's on tenor. Tracks include "Brown Rice", "Malkauns", and "Chenrezig". The record's tough to find, and this CD's about the only way we see it these days!
Orlande de Lassus was an undisputed master of all the vocal genres of the late Renaissance, from German Lied to Latin Mass. He was extraordinarily prolific, and this recording features the glorious polyphony of the Missa Amor ecco colei and Prophetiae Sibyllarum, one of his most celebrated works. With the latter’s extreme chromaticism and constant modulation, Lassus stretched the compositional boundaries of the time to produce one of the most important and advanced works to come from the sixteenth century.
Director Gale Edwards's film is an updated stage version of Tim Rice and Andrew Lloyd Webber's acclaimed masterpiece. Experience the last seven days in the earthly life of Jesus through the magic and wonder of a catchy and inspirational score. From his triumphant entry into Jerusalem and the enmity that this naturally arouses to his trial by the sympathetic but ultimately partisan Pontius Pilate, follow Christ as he assumes the role he was born to play.
Stephen Rice and The Brabant Ensemble uncover more Renaissance treasures: Jacob Obrecht’s name may now be less familiar than those of some of his Flemish contemporaries, yet in his lifetime he was considered second only to Josquin.
Biographical and musicological certainties may be in short supply in the life and work of Josquin, but there’s no gainsaying the magnificence of the music recorded here: a programme of shorter works, most in unusual guise, to celebrate his 500th anniversary.
"John Lee Curtis "Sonny Boy" Williamson (March 30, 1914 – June 1, 1948) was an American blues harmonica player and singer. He was popular enough that by the 1940s, another blues harp player, Aleck/Alex "Rice" Miller, from Mississippi, began also using the name Sonny Boy Williamson. John Lee is said to have objected to this, though no legal action took place, possibly due to the fact that Miller did not release any records during Williamson's lifetime, and that Williamson played mainly around the Chicago area, while Miller seldom ventured beyond the Mississippi Delta region until after Williamson's death…