Vladimir Jurowski was the London Philharmonic Orchestra’s Principal Conductor for 14 years from 2007–21, during which his creative energy and artistic rigour were central to the Orchestra’s success. This release captures three of his most memorable concerts with the Orchestra, tracing Stravinsky’s early creative journey from his youth amid the glittering fairytales of Imperial Russia through to those incredible moments in Paris when The Firebird and The Rite of Spring exploded in a blaze of rhythm and colour.
These recordings were unearthed from the BBC archives. All the restoration work has been done from the original analog tapes. The works presented here are from a historic session in the London studios on June 30, 1959.
Starting with the Canzon XVII of 1615 in 12 parts, involving three choirs of instruments, Eric Crees and his brilliant players from the brass section of the LSO demonstrate at once what variety of tone they can produce, with the finest shading of timbre and texture. In the great Sonata pian’ e forte of 1597 in eight parts and the even more striking Double Echo Canzon in 12 Parts, the playing is remarkable as much for its restraint and point as for its dramatic impact. Beautiful sound, both clear and atmospheric, not aggressive.
Gold sets from the Oldies collection.
The greatest hits of the 50's, 60's and 70's!
These recordings were unearthed from the BBC archives. All the restoration work has been done from the original analog tapes. The works presented here are from a historic session in the London studios on June 30, 1959.
Starting with the Canzon XVII of 1615 in 12 parts, involving three choirs of instruments, Eric Crees and his brilliant players from the brass section of the LSO demonstrate at once what variety of tone they can produce, with the finest shading of timbre and texture. In the great Sonata pian’ e forte of 1597 in eight parts and the even more striking Double Echo Canzon in 12 Parts, the playing is remarkable as much for its restraint and point as for its dramatic impact. Beautiful sound, both clear and atmospheric, not aggressive.
Back in the late 1960s, Solid State put out four LPs in their series Jazz for a Sunday Afternoon. The five titles with Dizzy Gillespie have been more recently reissued on a two-CD Blue Note set titled Live at the Village Vanguard. Laserlight improves upon the packaging by including two additional titles (from Vol. 3) on their first two CDs; unfortunately, the two lengthy songs ("Satin Doll" and "Straight No Chaser") from a Harry "Sweets" Edison date that comprised Vol. 4 remain out of print. The first disc of this three-CD set has a very interesting, if sometimes erratic date matching Gillespie with violinist Ray Nance (sometimes replaced by trombonist Garnett Brown), baritonist Pepper Adams, pianist Chick Corea, bassist Richard Davis, and either Mel Lewis or Elvin Jones on drums. Nance's violin playing is adventurous and eccentric, and there are some loose moments, but Dizzy holds the music together and Pepper Adams is in top form.
London Early Opera perform a unique programme of Handel’s Italian-inspired works, devised by conductor Bridget Cunningham and featuring a unique family collaboration from from world-renowned soprano sisters Sophie Bevan and Mary Bevan alongside their uncle, bass Benjamin Bevan.