Richard Strauss Toot Und

An enthralling production from the Metropolitan Opera under James Levine, with an unbeatable performance from Jessye Norman as Ariadne, and spotless coloratura from Kathleen Battle as Zerbinetta. James King offers sterling support in the taxing role of Bacchus. (James Longstaffe)

Following critical acclaim for their world premiere recording of Stravinsky’s Funeral Song, the Lucerne Festival Orchestra and Riccardo Chailly return with a new collaboration featuring some of the greatest works in the orchestral repertoire by Richard Strauss, including Also sprach Zarathustra and Till Eulenspiegel, recorded live at the opening concert of the Lucerne Festival, 2017.

Bernstein opera sets come few and far between, but those that do emerge are treated as isolated landmarks. Such was his recording of Richard Strauss` ''Der Rosenkavalier'' of 1971 (CBS M3K 42564, three CDs), recorded three years after he virtually swept the Viennese off their collective feet with it at the Staatsoper.

Celebrating one of the most revered conductors of the 20th century, this series was originally released to commemorate Herbert von Karajan’s 100th birthday in 2008. Using innovate technology to recreate the original concert acoustics, the audio for these DVDs has been re-recorded at the Philharmonic Hall in Berlin and the Musikverein in Vienna, Karajan’s two favourite concert venues, to create re-mastered surround-sound versions of these classic performances. With each DVD featuring von Karajan conducting either the Berlin Philharmonic or Vienna Philharmonic orchestras, two of the highest regarded orchestras in the world, this series really does marry the greatest music, the highest calibre performers, and the best possible audio-visual presentation.

Celebrating one of the most revered conductors of the 20th century, this series was originally released to commemorate Herbert von Karajan’s 100th birthday in 2008. Using innovate technology to recreate the original concert acoustics, the audio for these DVDs has been re-recorded at the Philharmonic Hall in Berlin and the Musikverein in Vienna, Karajan’s two favourite concert venues, to create re-mastered surround-sound versions of these classic performances. With each DVD featuring von Karajan conducting either the Berlin Philharmonic or Vienna Philharmonic orchestras, two of the highest regarded orchestras in the world, this series really does marry the greatest music, the highest calibre performers, and the best possible audio-visual presentation.

In the wake of its first performance under his own direction in March 1904, Strauss struck a self-satisfied note: “Domestica has turned out a success, it sounds great, but it’s very difficult.” The extreme technical demands and the large resources required – the intimate details of the composer’s private life are translated into a monumental tone poem in his Sinfonia domestica.

Few singers have fused words and music as eloquently as Elisabeth Schwarzkopf, and few sopranos have proved more radiant in Strauss. All this makes her the ideal protagonist in the composer’s final opera, his ingenious and engaging ‘conversation piece’ on artistic themes. Schwarzkopf is joined by a cast of superlative stature and style and by a conductor intimately identified with the works of Strauss, Wolfgang Sawallisch.

This recording of Richard Strauss's opera Elektra by De Nederlandse Opera (The Netherlands Opera) was made in November 2011 at the Amsterdam Music Theatre. In addition to an impressive cast, it features the Netherlands Philharmonic Orchestra and the Toonkunst Choir Amsterdam conducted by Marc Albrecht.

Filmed live in Baden-Baden by the veteran director Brian Large, Renée Fleming makes her debut in the role of Ariadne together with fellow key Strauss interpreters Sophie Koch and Christian Thielemann, following on from their Rosenkavalier triumph. Thielemann conducts the Staatskapelle Dresden, the orchestra to whom Strauss dedicated his Alpine Symphony and which premiered Feuersnot, Salome, Elektra, Der Rosenkavalier and Daphne. Fleming's voice might have been made for Ariadne and she achieved a great personal triumph in this production: “The chief glory of the evening was hearing Renée Fleming, the Straussian soprano par excellence, making her role debut as Ariadne… As the possessor of what is, possibly, the most beautiful soprano voice in the world, she put her vocal treasures in the service of an empathic, nuanced interpretation of the role. From the creamy top, through a rich, warm middle, to the bewitching, darker colours of her lower register, Fleming poured her magnificent sound into Strauss’s enchanting melodic arcs, animating the sadness, vulnerability, and desire of the bereft princess…” Frankfurter Allgemeine Zeitung