Rick Saddler

Prog-rock legends Yes had covered Beatles songs in the past, but TRIBUTE represents Yes keyboardist Rick Wakeman's full-blown homage to the Fab Four…

Well, this is a rare bird. As much a meditation as a musical work. The title explains a lot, and you could call the whole album an extended form of prayer…

Rick celebrates his extraordinary story with the release of the new career-spanning compilation ‘The Best of Me’. It charts that initial run of hits alongside recent fan favourites such as ‘Keep Singing’, ‘Angels On My Side’ and ‘Try’. It also digs into some deep cut too, such as ‘Sleeping’ from 2001. The set is bookended with a step into the past and an eye to the future. Again self-written, produced and recorded, opening track ‘Every One of Us’ is a brand new song that shows that the power of Rick Astley 2.0 is undiminished. And it closes with a new ‘Pianoforte’ take on ‘Never Gonna Give You Up’. Dropping the peppy ‘80s beats for an intimate piano arrangement captures it in a new light, its inner heartbreak becoming all the more apparent. Echoing that spirit of reinvention, Rick recorded a set of ‘Reimagined’ acoustic interpretations of his songs, old and new, for the second disc of ‘The Best of Me’.

“Orchestrating My Life – Live at the Saban” features Rick Springfield performing many of his hits and fan favorites accompanied by a 100 piece orchestra!

The Six Wives of Henry VIII: Live at Hampton Court Palace is a live album from the English keyboardist and composer Rick Wakeman, released through Eagle Records on 5 October 2009. The album is a live recording of the second of two sold-out concerts on 2 May 2009 at Hampton Court Palace in London…

On this highly personal album, part of "The Rick Wakeman New Age Collection," Wakeman turns the interpretive skills he once applied to Henry VIII's six wives to a subject much closer to home: his own family. His parents, his wife Nina, his children, and his pets all get their musical portraits painted as keyboard instrumentals…

Based on music Wakeman wrote for the finale of a Dickens Festival in Rochester-upon-Medway, England, this is an unclassifiable melange of an album, stylistically similar to Phantom Power or Time Machine…

Rick Wakeman's third solo album is among his best, as he employs his vast array of keyboards to their full extent, musically describing the characters pertaining to the days of King Arthur's reign. With orchestra and choir included, although a little less prevalent than on Journey, he musically addresses the importance and distinguishing characteristics of each figure through the use of multiple synthesizers and accompanying instruments…