Ride of The Valkyres

In an age when church attendance in England was flourishing, Samuel Sebastian Wesley (1810–1876) was one of the foremost composers and organists of his day. Taking advantage of new developments in instrument building, Wesley was able to push the boundaries of English church music in a new direction, encompassing a more ambitious, even operatic style. In this recording – the first to have been made using an organ similar in design to his own – Wesley’s music is brought to vibrant life by the young professional singers of Holy Sepulchre under conductor Toby Ward.

At the finale of the "Musikfest Berlin" 2022, the musicians of the Deutsche Oper Berlin and their BigBand performed “Epitaph” as a tribute to the 100th birthday of Charles Mingus.

Experience Singapore's Orchestra of the Music Makers soar through Strauss's majestic "An Alpine Symphony". With its epic sweep and grandeur and compelling drama, there has rarely been such a spine-tingling and vivid depiction of nature as found in Richard Strauss’s magnificent tone poem, An Alpine Symphony. Calling for gargantuan orchestral forces, this lavishly illustrated journey is Strauss’s crowning orchestral achievement. Using a vast musical canvas packed with vivid and exquisite details, it’s a bold, optimistic and passionate work, unleashing ecstatic blazes of orchestral colour alongside moments of awestruck contemplation in a continuous narrative of 22 sections, which Strauss threads together with his usual mastery and aplomb.

This book presents results relevant in the manufacturing research field, that are mainly aimed at closing the gap between the academic investigation and the industrial application, in collaboration with manufacturing companies.
Several hardware and software prototypes represent the key outcome of the scientific contributions that can be grouped into five main areas, representing different perspectives of the factory domain:1) Evolutionary and reconfigurable factories to cope with dynamic production contexts characterized by evolving demand and technologies, products and processes.2) Factories for sustainable production, asking for energy efficiency, low environmental impact products and processes, new de-production logics, sustainable logistics.3) Factories for the People who need new kinds of interactions between production processes, machines, and human beings to offer a more comfortable and stimulating working environment.4) Factories for customized products that will be more and more tailored to the final user’s needs and sold at cost-effective prices.5) High performance factories to yield the due production while minimizing the inefficiencies caused by failures, management problems, maintenance.This books is primarily targeted to academic researchers and industrial practitioners in the manufacturing domain.

At the finale of the "Musikfest Berlin" 2022, the musicians of the Deutsche Oper Berlin and their BigBand performed “Epitaph” as a tribute to the 100th birthday of Charles Mingus.

The Choir of The Queen’s College, Oxford, Academy of Ancient Music, and an outstanding array of soloists join forces to breathe new life into the choral works of Giovanni Bononcini (1670-1747). Bononcini was Handel’s main rival in London, and with little to separate the two in terms of public status and reputation, they were dubbed the Tweedle-dum and Tweedle-dee of London’s music scene in the 1720s.

The Choir of The Queen’s College, Oxford, Academy of Ancient Music, and an outstanding array of soloists join forces to breathe new life into the choral works of Giovanni Bononcini (1670-1747). Bononcini was Handel’s main rival in London, and with little to separate the two in terms of public status and reputation, they were dubbed the Tweedle-dum and Tweedle-dee of London’s music scene in the 1720s. Soon after his arrival in London Bononcini was afforded the honour of writing a grand orchestral anthem – When Saul was King – for the magnificent funeral of the Duke of Marlborough. Bononcini’s music was particularly highly prized by members of London’s original Academy of Ancient Music. Given this contemporary reputation and the quality of his works for voices and orchestra, it is surprising that Bononcini sacred music has now fallen into obscurity. This is the first recording not only of Ave maris stella and Laudate pueri but also of the original D-major version of Bononcini’s Te Deum, and these works have been newly edited here from their English eighteenth-century sources.