Roberto Ritossa

On 7th February 1857, after a delay of one year due to problems of copyright on a possible production of King Lear, Verdi accepted and signed a new agreement with the Teatro di San Carlo of Naples for an opera to be staged in January or February 1858. Not long after he had put behind the experiences of Simon Boccanegra (June 1857) and Aroldo (August), Verdi, then, had to face the issue of a new subject for Naples, which would no longer be King Lear, discarded for various reasons, and not even El tesorero del Rey by António García Gutiérrez or Ruy Blas by Hugo, to which he had given more serious thought, but Gustave III by Eugène Scribe, a play written in 1833 for Daniel Auber in which the king of Sweden is assassinated, in 1792, by a group of noblemen led by Jacob Ankarström. The composition of the score, between October 1857 and January 1858, went hand in hand with Verdi’s complex relationship with the Neapolitan censors, who would end up distorting the libretto and unnerving the composer to the point that he ended up refusing to stage the opera and breaking his agreement with the theatre.

Superstar tenor, Roberto Alagna, returns with his sensational new album Caruso. Caruso 1873 is Alagna’s tribute to the Neapolitan singer who Alagna considers to be the greatest tenor of all time. Alagna honours his legendary predecessor with a selection of repertoire drawn from Caruso’s own recording career, which stretched from 1902 to 1920. Alagna is accompanied by the critically acclaimed Orchestre National D’ile-de-France, singers Aleksandra Kurzak and Rafal Siwek and conductor, pianist and arranger, yvan Cassar. The music chosen is a journey back in time through Caruso’s eclectic repertoire. It showcases his personality and is blended with Alagna’s own favourites. The album offers many surprises and stretches from Handel and Pergolesi to verismo composers including Cilea and Leoncavallo, contemporaries of Caruso who wrote music for him. Puccini is represented by “Vecchia zimarra”, the bass Colline’s aria from La bohème which – as legend has it – Caruso once sang on stage standing in for an ailing colleague in perfect subterfuge. Caruso (1873—1921) was an Italian operatic tenor. Caruso was one of the first major singing talents to be commercially recorded.

Robert HP Platz, composer and conductor, was born in Baden-Baden in 1951. He studied composition with Wolfgang Fortner and Karlheinz Stockhausen. Robert HP Platz sees his entire work as a global architecture in constant evolution. He has composed for music theater, orchestral works, ensemble music, chamber music, children’s music and solo pieces, often including electronic sounds. His friendship with visual artists and authors, his affinity for Italian and French culture, which goes back to his childhood, and his fascination for Japanese culture are further inspiration for his multi-faceted musical world. This CD is dedicated to his compositions for flute, written between 1993 and 2018, and presents an important facet of his artistic work, presenting different aspects of his poetics in the 11 tracks. These expressive pieces, composed with deep technical knowledge of the flute, form a special context in this compilation and thus present a unique musical language. The unifying factors are motivation, choice of instruments and the organization of tonal centers that form bridges from work to work.