Rock Texture

Despite George Harrison's reputation for solemn, lugubriously paced albums in the early '70s – and this one is mostly no exception – the jacket is full of jokes, from the eaten-away Apple logo (the Apple label would expire at year's end) to the punning title, the list of non-participants, and the mischievous grin of the ex-Beatle above the arch caption "OHNOTHIMAGEN" ("Oh, not him again!")…

Animation is the third solo album by Jon Anderson, and it shows both hearkenings to the other two and a new energy and direction. When he recorded the first album, Olias of Sunhillow, he was a member of Yes. That album has a strong progressive rock texture, being composed of longer pieces that all weave into one conceptual piece. It is also important to note that that release is a true "solo" work, Anderson performing virtually every sound on the record. By the time he released Song of Seven, both his professional status (he was no longer a member of Yes) and musical theory seemed to have changed. The album was for more pop-oriented, although a few points (the title track, most notably) still contained strong progressive rock tendencies…

The Seventh House came out almost four years after IQ's previous studio album, Subterranea. In light of this CD, it appears that the critically acclaimed 1997 concept album was the band's creative peak, which does not mean The Seventh House is weak. The general feeling of the album makes it closer to 1993's Ever. Peter Nicholls' theatrical voice gains in beauty with age. The playing is unsurprisingly tight, the musical approach firmly anchored in melodic progressive rock. Highlights include "Guiding Light," "The Wrong Side of Weird," and the title track, the latter a complex and exhilarating number. On the other hand, "Erosion" and "Zero Hour" feel like they miss a dimension, even if the acoustic guitar on the latter brings in a different texture…

Pablo Honey in no way was adequate preparation for its epic, sprawling follow-up, The Bends. Building from the sweeping, three-guitar attackRadiohead that punctuated the best moments of Pablo Honey, Radiohead create a grand and forceful sound that nevertheless resonates with anguish and despair – it's cerebral anthemic rock. Occasionally, the album displays its influences, whether it's U2, Pink Floyd, R.E.M., or the Pixies, but Radiohead turn clichés inside out, making each song sound bracingly fresh. Thom Yorke's tortured lyrics give the album a melancholy undercurrent, as does the surging, textured music. But what makes The Bends so remarkable is that it marries such ambitious, and often challenging, instrumental soundscapes to songs that are at their cores hauntingly melodic and accessible. It makes the record compelling upon first listen, but it reveals new details with each listen, and soon it becomes apparent that with The Bends, Radiohead have reinvented anthemic rock.