This 27-track collection brings together all the recordings that came out under the Rockin' Rebels banner between 1959 and 1966. As no less than four different bands (not personnel changes, whole bands) served time as the Rockin' Rebels, the sound varies wildly from one version of the combo to the other, although – and not surprisingly, all things considered – the style does not. In addition to all the releases on the Swan label, this compilation digs deep and produces all the extant Marlee recordings of the original group, including the hit and its flip, "Wild Weekend Cha Cha," "Donkey Walk," "Buffalo Blues," "Theme From the Rebel" and "Anyway You Want Me," along with two themes from Tom Shannon's radio show, where the song originally emanated from.
For anyone in their mid-teens in the mid-5Os, and into music, it had to be rock'n'roll - American rock'n roll. There was no British equivalent to the sound. In the UK, it was Chuck Berry, Elvis Presley, The Platters, Alan Freed, Radio Luxembourg, Voice Of America. If the right people get to know about this and hear the quality, this will sell and sell.
For anyone in their mid-teens in the mid-5Os, and into music, it had to be rock'n'roll - American rock'n roll. There was no British equivalent to the sound. In the UK, it was Chuck Berry, Elvis Presley, The Platters, Alan Freed, Radio Luxembourg, Voice Of America.
Considering that Southern Accents took so much time and money to complete, finally hitting the stores two and a half years after Long After Dark, it wasn't surprising that Tom Petty & the Heartbreakers decided to release a double live album, Pack Up the Plantation: Live!, a mere eight months after its release. After all, Southern Accents was criticized from many corners for being too slick, too much in Dave Stewart's corner instead of the Heartbreakers', so it made sense to quickly return the focus to the band, showcasing the group as the rockers they are. Pack Up the Plantation does do that, even if it isn't quite the barnburner it should have been. Part of the problem is that the song selection isn't quite as good as it could have been, relying heavily on Southern Accents material, including the weak "It Ain't Nothin' to Me."
England's Westside label has released four two-disc sets that spotlight labels owned by George Goldner in the '50s and '60s: Rama, Gee, Gone, and End. The End Story collects 63 rock and R&B cuts recorded from 1957-1965 for the End label, from big hits by the Flamingos and Little Anthony & the Imperials to total obscurities by forgotten artists. Most of the recordings are doo wop and R&B with only a handful of rockers – far fewer rock cuts, overall, than appear on The Gone Story. For a number of artists, End was a stopover on the way to or from greener commercial pastures: the Bobbettes, Little Richard, the Shells, and the Teenagers after Frankie Lymon left to pursue a solo career.