Rodrigo Concerto de Aranguez

Mayr’s Masses were in demand across Europe, and their composition is rooted in the Italian tradition of the messa concertata which demands division into separate vocal numbers. The Mass in E minor has long been recognised as an outstanding example of Mayr’s late style, with its polyphonic mastery and dialogues between singers and concertante solo instruments being exceptionally convincing. The Mass in F minor evokes both joy and deep melancholy, though accompanied, as always, by Mayr’s notable gift for melodic beauty.

Mayr’s great Mass in E flat major is a late work, largely composed in 1843. It conforms to the prevailing Italian messa concertata tradition with its clear divisions into distinct vocal numbers, as opposed to the symphonic Mass which held sway north of the Alps. In this reconstruction and musical revival, Mayr’s imposing, tonally consonant and expressive setting can be heard in all its grandeur and eloquence. With its striking vocal solos and choruses, and characteristically songlike instrumental roles, Mayr contributed a late pinnacle in the long history of this form of the Mass.

Johann Simon Mayr’s music stands on the cusp between the Classical and Romantic eras. The expressive lyrical qualities in his religious music reflects a career in which he composed nearly 70 operas. The Messa solenne follows the Italian tradition of messa concertata and contains the full ordinary – a rarity for Mayr’s output in this genre. The work’s polyphonic sections made an especially lasting impression on churchgoers of the time, as witnessed by Mayr’s first biographer, Girolamo Calvi, who wrote enthusiastically about this work’s ‘exquisite vocal writing’ and ‘profoundly thrilling’ virtuosity – qualities that have remained hidden for nearly 200 years.

This survey of Vivaldi kicks off with a gutsy yet articulate performance of the Concerto for two trumpets RV 537, featuring flamboyant playing from soloists Andrea Di Mario and Jonathan Pia; it serves as a thrilling overture that leads directly into the spectacular trumpet-laden aria ‘Con palme ed allori’ from Teuzzone (which features some extraordinary embellishments by Kristina Hammarström). A broad range of Vivaldi’s theatrical output for Venice, Mantua and Verona is represented by a pleasingly varied selection of six arias from four different operas and another two arias by Giacomelli from the pasticcio Bajazet (including the striking lament ‘Sposa son disprezzata’, perhaps the recital’s sentimental highlight).

Young Guitar Virtuoso Kaori Muraji performs with the New Japan Philharmonic conducted by Kazufumi Yamashita performing works by Rodrigo, Arnold, Castelnuovo-Tedesco and Dyens. 20bit K2 Recording. Kaori Muraji was born in Tokyo in 1978. Her first guitar lessons were from her father, Noburu Muraji, when she was 3 years old. She won the top prize at the 1989 Junior Guitar Contest, and was the winner of the Student Guitar Competition in two consecutive years 1989 and 1991.

Sharon Isbin - Rodrigo: Concierto de Aranjuez und Spanische Gitarrenstücke
Tokyo Metropolitan Symphony Orchestra / Hideomi Kuroiwa
EAC+LOG+CUE | FLAC: 162 MB | Full Artwork: 32 MB | 5% Recovery Info
Label/Cat#: Denon "This is Classic" # DEG-10024 | Country/Year: Germany 1994
Genre: Classical | Style: Spanish Guitar, Early 20th Century, Romantic

"Described by the Boston Globe's Michael Manning as a musician who plays "beyond virtuosity," guitarist Sharon Isbin has been a consistent challenge for critics, who struggle to find the right superlative that would do justice to her exquisite playing. "In her hands," wrote Anne Midgette in The New York Times, "the guitar takes on the precision of a diamond, each note a clear, shining facet that catches, prism-like, a glimpse of the spectrum." In essence, a performance by Isbin is like a painting by Vermeer: a formally impeccable and inexhaustible work of art."

Joaquín Rodrigo - Concierto De Aranjuez (1989)
DbPowerAmp secure mode FLAC (tracks+log, no cue) + MP3 (320 kbps CBR) | 308.50 Mb (FLAC) + 173.55 Mb (MP3) | 68:44 minutes | Info & covers.
classical, concert, orchestral | Naxos Records. Recorded at the Concert Hall of the CSSR Philharmonic, Košice, from 11th to 16th of Novembre 1988.

The Concierto de Aranjuez is a composition for classical guitar and orchestra by the Spanish composer Joaquín Rodrigo. Written in 1939, it is probably Rodrigo's best-known work, and its success established his reputation as one of the most significant Spanish composers of the twentieth century. The Concierto de Aranjuez was inspired by the gardens at Palacio Real de Aranjuez, the spring resort palace and gardens built by Philip II in the last half of the 16th century and rebuilt in the middle of the 18th century by Ferdinand VI...

Recorded on 25 and 26 April 1991 at the Teatro Bulevar Casa de Cultura in Torrelones (Madrid) and originally released in October 1991, it was a respectful flamenco vision of Spanish classical music in a flamenco style. In it, Paco de Lucía performs with the Cadaqués Orchestra, conducted by Edmon Colomer, the concerto for guitar and orchestra that Joaquín Rodrigo wrote under the title Concierto de Aranjuez. To complete the album, he recorded with Juan Manuel Cañizares and Jose María Bandera three pieces, arranged by Juan Manuel Cañizares, from Isaac Albéniz's Suite Iberia. The result was absolutely devastating and is one of the best known and recognised versions of Maestro Rodrigo's masterful work.