Romantic City: Paris (2010)

Paris is Hilary Hahn’s comeback project after her one-year sabbatical. Now Hilary is back with her first album on Deutsche Grammophon in five years.

From the Second Empire to the Roaring Twenties, Alexandra Soumm, the Orchestre de Chambre Pelléas and Benjamin Levy paint a dishevelled, nostalgic and swaying portrait of the City of Light that spans seventy years of music.

Over a remarkably long and illustrious career, Camille Saint-Saëns thrilled audiences around the world as a pianist and organist, shaped the course of musical life in France, and enriched a multitude of genres with some 600 works, all bearing witness to the mastery of his craft. Setting his best-known compositions in their dazzlingly diverse context, this edition invites exploration and discovery. It spans more than a century of recording history, encompassing a host of great instrumentalists, singers, conductors and orchestras, many of them from France. Setting the pace, in performances from as early as 1904, is the composer himself.

Malene Winter Mortensen (born May 23, 1982) is a Danish jazz singer-songwriter. Malene is the daughter of two musicians, drummer and music teacher Karen Mortensen and trumpet player and composer Jens Winther. Malene grew up as an only child with her mother in Copenhagen, Denmark, at first in Christiania, later at Christianshavn. Yet in 1991 they moved to Elsinore, Karen Mortensen being headhunted to the post as chief music teacher at IPC, International People's College.

The eight world premiere recordings included in this programme are played from a treasure trove of unpublished manuscripts obtained by Geoffrey Burleson from the Bibliotheque nationale de France, each of them filled with strong and imaginative ideas. Further virtuosic rarities by Saint-Saens include a solo transcription of his exotic Africa for piano and orchestra, and fantasies on works by Beethoven, Gounod, Liszt, Bizet, and others. Geoffrey Burleson has an active career as a performing artist, and has performed in such prestigious venues as the Eglise St-Merri, Paris; the American Academy in Rome; the Sibelius Academy, Helsinki; the Dimitris Mitropoulos Hall, Athens; the National Museum of Art, Mexico City and De Doelen, Rotterdamas as well as with the Buffalo Philharmonic Orchestra, the Arlington and New England Philharmonics, and the Holland Symfonia. He is on the piano faculty of Princeton University and the City University of New York Graduate Center, and is professor of music and director of piano studies at Hunter College, CUNY.

Faniska is an opéra comique in three acts by Luigi Cherubini. The German libretto, by Joseph Sonnleithner, is based on the melodrama Les mines de Pologne (1803) by René-Charles Guilbert de Pixérécourt.