Romanticism David Blayney Brown

New Age meditation/relaxation music for the body and Soul. Each song is a journey into your soul. A story from God thru my Heart. It is from My 7th Toward The Light album. I also have a Pandora Radio station called, "David A Brown". ~ David a Brown.

Il libro affronta i numerosi importanti temi legati alla ricerca spaziale attraverso un linguaggio volutamente divulgativo, accompagnato da immagini satellitari spettacolari e "conversazioni" con astronauti celebri e figure di riferimento del settore. Mentre l’umanità si interroga sugli equilibri del pianeta, la ricerca spaziale sta vivendo – dagli anni 50 del secolo scorso a oggi – un’epoca d’oro che ha portato a vivere lo spazio come mai prima d’ora. La stazione spaziale internazionale, i numerosissimi satelliti, le ricerche per estrarre minerali dai corpi celesti a noi più prossimi, sono solo le prime di una serie di conquiste che l’umanità si appresta a raggiungere nei prossimi anni. Ma esiste una condizione fondamentale perché tutto questo possa avvenire: la sostenibilità ambientale delle imprese spaziali infatti è non soltanto un dovere etico, ma anche un’esigenza pratica.

First complete anthology of late 60s recordings by highly-regarded Irish singer/ songwriter. Includes his best-known song, the huge European hit 'Days Of Pearly Spencer', as well as more than a dozen tracks making their CD debut. At the height of the protest singer boom that spawned the likes of Dylan and Donovan, Irish-born music industry heavyweight Phil Solomon received a demo tape from a young Ballymena-based singer/songwriter by the name of David McWilliams. Sensing the possibilities, the entrepreneur added McWilliams to his Irish-based roster of acts (The Bachelors, The Dubliners, Van Morrison's Them, etc) and placed the youngster on his fledgling record label Major Minor. Launched in a blaze of publicity in mid-1967, McWilliams coupled voguish songs about social deprivation with lighter, more romantic material, with producer and occasional Beatles/ Rolling Stones associate Mike Leander providing the striking string arrangements.

First complete anthology of late 60s recordings by highly-regarded Irish singer/ songwriter. Includes his best-known song, the huge European hit 'Days Of Pearly Spencer', as well as more than a dozen tracks making their CD debut. At the height of the protest singer boom that spawned the likes of Dylan and Donovan, Irish-born music industry heavyweight Phil Solomon received a demo tape from a young Ballymena-based singer/songwriter by the name of David McWilliams. Sensing the possibilities, the entrepreneur added McWilliams to his Irish-based roster of acts (The Bachelors, The Dubliners, Van Morrison's Them, etc) and placed the youngster on his fledgling record label Major Minor. Launched in a blaze of publicity in mid-1967, McWilliams coupled voguish songs about social deprivation with lighter, more romantic material, with producer and occasional Beatles/ Rolling Stones associate Mike Leander providing the striking string arrangements.

First complete anthology of late 60s recordings by highly-regarded Irish singer/ songwriter. Includes his best-known song, the huge European hit 'Days Of Pearly Spencer', as well as more than a dozen tracks making their CD debut. At the height of the protest singer boom that spawned the likes of Dylan and Donovan, Irish-born music industry heavyweight Phil Solomon received a demo tape from a young Ballymena-based singer/songwriter by the name of David McWilliams. Sensing the possibilities, the entrepreneur added McWilliams to his Irish-based roster of acts (The Bachelors, The Dubliners, Van Morrison's Them, etc) and placed the youngster on his fledgling record label Major Minor. Launched in a blaze of publicity in mid-1967, McWilliams coupled voguish songs about social deprivation with lighter, more romantic material, with producer and occasional Beatles/ Rolling Stones associate Mike Leander providing the striking string arrangements.

The Down with Romanticism project is the brainchild of two questing musicians — cellist, David Eggert, and fortepianist, Gili Loftus — and is the culmination of over a decade of artistic collaboration. Following meticulous archival research and immersions into the soundworld of the early days of the recording era, they have embarked on an experimental approach to explore forgotten dimensions of playing 19th century music. Their performance showcases flexibility of tempo and rhythm, elasticity of intonation and pitch, generous use of portamento, flexible alignment of the pianist’s right and left hands and heightened individualistic expression like you’ve never heard before, but that were once standard for music of this era — all on two beautiful period instruments.