Ronald Gorevic

This book covers how Liberal institutions – constitutional democracy, economic markets, liberal courts, free trade, international human rights – around the world are under assault by the political right and we are witnessing the emergence of post-liberal institutions. These post-liberal institutions are founded on the core conviction that the actions of liberal institutions including the United States Supreme Court are patently unjust. This volume makes the case against post-liberal courts and justice by reconnecting to the principles of moral equality and dignified freedom for all. The intention is to show how there is great untapped potential in the work of Ronald Dworkin’s work to demonstrate that it can help progressive liberals think through the great issues of the day and respond to the contemporary criticisms of the political right. The core themes are concretely illustrated by focusing on some of the most controversial recent post-liberal decisions of the Supreme Court, ranging from election funding to abortion to race-sensitive affirmative action, to economic inequality in an age of increasingly unequal opportunities.

A captivating anthology of British clarinet compositions curated and performed by versatile musician Ronald Woodley and pianist Andrew West. This collection explores British musical modernism, featuring both new and underappreciated pieces from the twentieth century by composers Elisabeth Lutyens, Liz Dilnot Johnson, Angela Elizabeth Slater, Morris Pert, Christopher Fox, and Edward Cowie. Woodley’s deep-rooted fascination for the basset horn, inspired by Lutyens, drove him to rediscover the world of British musical modernism, revealing its complexities and dynamics.

A captivating anthology of British clarinet compositions curated and performed by versatile musician Ronald Woodley and pianist Andrew West. This collection explores British musical modernism, featuring both new and underappreciated pieces from the twentieth century by composers Elisabeth Lutyens, Liz Dilnot Johnson, Angela Elizabeth Slater, Morris Pert, Christopher Fox, and Edward Cowie. Woodley’s deep-rooted fascination for the basset horn, inspired by Lutyens, drove him to rediscover the world of British musical modernism, revealing its complexities and dynamics.

Ronald Brautigam presents two of Franz Schubert’s late masterpieces, the Sonatas D 959 and D 960. They are played here on a fortepiano built by Paul McNulty after an instrument from around 1819 by the Viennese instrument maker Conrad Graf and presumably similar to the instrument on which Schubert composed. Although it is tempting to see Schubert’s final works as the testament of a doomed artist who feels his end is nearing, the reality is quite different: the composer displayed vitality, optimism and a prodigious capacity for work. His last two sonatas also show that he had reached a new level, having successfully emancipated himself from the Beethovenian model.