Rondo Veneziano Flashback Collection (2006)

An Italian chamber orchestra, Rondó Veneziano set itself apart from many groups of similar style by not only employing mostly women musicians and making it a rule to perform in period Baroque dress, but mainly because they were able to meld traditional chamber music pieces to modern backing tracks, rhythms, and percussion lines, almost giving their classical sound a club music foundation that sometimes bordered on prog rock. Their first big break came in the United Kingdom in 1983, with the single "La Serenissima," which was followed two years later by a successful appearance providing the score to the film Not Quite Jerusalem. Their first album, a self-titled affair, was released in 1980, and was followed by more than 70 albums over the next (nearly) 30 years. In 2005, the group released a live collection entitled 25 Live.

An Italian chamber orchestra, Rondó Veneziano set itself apart from many groups of similar style by not only employing mostly women musicians and making it a rule to perform in period Baroque dress, but mainly because they were able to meld traditional chamber music pieces to modern backing tracks, rhythms, and percussion lines, almost giving their classical sound a club music foundation that sometimes bordered on prog rock. Their first big break came in the United Kingdom in 1983, with the single "La Serenissima," which was followed two years later by a successful appearance providing the score to the film Not Quite Jerusalem. Their first album, a self-titled affair, was released in 1980, and was followed by more than 70 albums over the next (nearly) 30 years. In 2005, the group released a live collection entitled 25 Live.

An Italian chamber orchestra, Rondó Veneziano set itself apart from many groups of similar style by not only employing mostly women musicians and making it a rule to perform in period Baroque dress, but mainly because they were able to meld traditional chamber music pieces to modern backing tracks, rhythms, and percussion lines, almost giving their classical sound a club music foundation that sometimes bordered on prog rock. Their first big break came in the United Kingdom in 1983, with the single "La Serenissima," which was followed two years later by a successful appearance providing the score to the film Not Quite Jerusalem. Their first album, a self-titled affair, was released in 1980, and was followed by more than 70 albums over the next (nearly) 30 years.

This series was created by Luciano Linzi, artistic director of Casa del Jazz of Rome, was produced in collaboration with publishing group "la Repubblica/L'espresso". The series was published for four consecutive years, 2006, 2007, 2008, 2009. 41 CDs in all, sold over 1.000.000 copies. The recordings are all original live productions.

Yao Si Ting, a sweet and touch voice singer from China. Maybe most of Malaysian never hears about her name. She sings in both Chinese and English.

Whoa. There are many Etta James collections out there. The standard-bearers thus far have been the Chess Box and the Essential Etta James. This set attempts to do something else and goes deep into her catalog to dig out the gems from her years with Modern, Argo, Cadet, Chess, Warner Brothers, Island, and Private Music/BMG, and presents the full spectrum of her five-decade career. As such, there are many different kinds of songs here revealing the complexity of the vocalist herself, and as such, thus becomes a real portrait of the artist. Juxtapose, for instance, early sides like "The Wallflower Dance (Dance With Me Henry)," with its wild R&B bravado and the deep soul-blues of "All I Could Do Is Cry," the balladry of "The Man I Love," the bone-crushing blues of "The Sky Is Crying," and the torch song ballad technique on "My Dearest Darling," and the despairing soul inherent in songs such as "All the Way Down," and the listener begins to get an idea of just how vast and deep James talent really is. These 23 cuts give a fine and full picture of all that diversity without sacrificing a note of quality.