Rose Temple

Boston Modern Orchestra Project and Gil Rose present the world premiere recording of The Lord of Cries, a breathtaking opera by John Corigliano and Mark Adamo. Telling the story of Euripides’s The Bacchae with the characters of Bram Stoker’s Dracula, the piece explores the power of sexual desire and humans’ need to blame and attack others for what they can neither resist nor accept in themselves. Corigliano returns to opera for the first time since his The Ghosts of Versailles, introduced by the Metropolitan Opera, made an international sensation in 1992. The brilliant cast—most of whom introduced their parts in the world premiere in 2021—is led by star countertenor Anthony Roth Costanzo in the title role.

Diotima is a significant release for many reasons, two worth noting immediately: it's the fifth album dedicated to works by American composer John Harbison (b. 1938) the Boston Modern Orchestra Project (BMOP) and conductor Gil Rose have issued; more pertinently, of the three works presented, one is the first he wrote for orchestra and another, created thirty-five years later, is in all probability his last. Anything but an afterthought, the third pairs Dawn Upshaw with the BMOP, not the first time the celebrated soprano has given voice to Harbison's material.

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Mac Faraday est revenu dans la bourgade où son père était forgeron, à la recherche d'une vie paisible, loin de l'agitation du monde. Il se consacre lui aussi à la ferronnerie d'art, tout en cultivant l'amitié de ses copains sur le terrain de footy. Jusqu'à cette nuit fatale où il apprend que Ned Lowey, le meilleur ami de son père, s'est pendu dans sa grange. Il le connaissait depuis toujours et n'arrive pas à croire qu'il ait pu mettre fin à ses jours. Quand il voit les flics locaux débarquer chez lui, le soupçonnant vaguement d'avoir tué Ned pour toucher une part d'héritage, il décide de réagir…