When Frank Zappa teamed up with renowned conductor Kent Nagano and the London Symphony Orchestra for three days in January 1983, he was expecting to walk away with a set of stellar performances of some of his most challenging contemporary classical pieces, as done by one of the world's top symphonic ensembles. What he got instead were bad attitudes, terrible work habits, unforgiving union stipulations and a hard lesson in preconceived notions – showing him that working with unschooled but enthusiastic rock musicians also had its advantages, and giving rise to his well-documented love/hate (mostly hate) relationship with symphony orchestras thereafter.
When Frank Zappa teamed up with renowned conductor Kent Nagano and the London Symphony Orchestra for three days in January 1983, he was expecting to walk away with a set of stellar performances of some of his most challenging contemporary classical pieces, as done by one of the world's top symphonic ensembles. What he got instead were bad attitudes, terrible work habits, unforgiving union stipulations and a hard lesson in preconceived notions – showing him that working with unschooled but enthusiastic rock musicians also had its advantages, and giving rise to his well-documented love/hate (mostly hate) relationship with symphony orchestras thereafter.
Emerging at the dawn of the twentieth century, the idiosyncratic structures of Scriabin's early symphonies display the Russian's unique approach. His Second Symphony blends echoes of Strauss, Tchaikovsky and Wagner, with sweeping climaxes, swirling colours, and passages of majestic intensity over the course of its five movements.
The Symphony No 10 was comissioned and premiered by the LSO in February 2014 to mark the eightieth birthday of Sir Peter Maxwell Davies. Newly-commissioned works are a step into the unknown for composer and commissioner alike. Sometimes remarkable works are born, and sometimes not. But no-one could possibly have guessed in what circumstances the Symphony No 10 would come to be written.
A Classic Case is an album by Jethro Tull, playing with the London Symphony Orchestra, released in 1985. The music was arranged and conducted by David Palmer, who had been a member of the group from 1976 to 1980. The album features band members Ian Anderson, Martin Barre, Dave Pegg and Peter-John Vettese. The album was recorded during the summer of 1984 at the CBS Studios in London. It was released on 31 December 1985 in the United States, where it reached #93 in the charts.