Boston Modern Orchestra Project and Gil Rose present the world premiere recording of The Lord of Cries, a breathtaking opera by John Corigliano and Mark Adamo. Telling the story of Euripides’s The Bacchae with the characters of Bram Stoker’s Dracula, the piece explores the power of sexual desire and humans’ need to blame and attack others for what they can neither resist nor accept in themselves. Corigliano returns to opera for the first time since his The Ghosts of Versailles, introduced by the Metropolitan Opera, made an international sensation in 1992. The brilliant cast—most of whom introduced their parts in the world premiere in 2021—is led by star countertenor Anthony Roth Costanzo in the title role.
Grammy award winner, multi-instrumentalist and lead singer of the former Frank Zappa band Napoleon Murphy Brock and the Ensemble Musikfabrik are releasing an impressive concert recording of the Zappanale 2019 with "Bad Doberan & Elsewhere".
There are some works which seem to be suspended in their time. La Damnation de Faust is a visionary project which took decades to become known as a chef-d’oeuvre, firstly in the rest of Europe and then in France, but posthumously. Today it is an emblematic work, built up of anthological pieces fro orchestra and choir and soloists’ aits which remain in our memories. Its interpretation by François-Xavier Roth in concert version enables us to hear this work with force and the audacity of early Berlioz: sombre but brilliant.
After 500 releases & remixes over the last 20 years Martin Roth finally reveals his first album for his "Analog Guy in a Digital World" project where he shows his deep and ambient side using contemporary piano skills paired with analog instruments & recording techniques.
Paris, early Twentieth Century: in the space of three ballets, a previously unknown Russian composer revolutionised the music of his time. With The Firebird and Petrushka, respectively fairytale and folktale, and of course The Rite of Spring, a telluric invocation with its insanely innovative harmonies and rhythms, Stravinsky dynamised the Late Romantic orchestra, taking it to literally unheard-of places.
Ligeti’s interest in sonorities and instrumental timbres is well known. François-Xavier Roth and the musicians of Les Siècles, themselves true alchemists of sounds and colours, recorded shimmering interpretations of these three works in 2016, displaying unprecedented clarity and naturalness, and also tremendous humour. They have been superbly remastered for this reissue.
2015 solo album from British space rock veteran Dave Brock. Dave is best known as being one of the founders and musical focus of the English space rock group Hawkwind. Brock is the only member of the group to have been a constant throughout the band's history. The follow-up to 2012's Looking For Love In The Lost Land Of Dreams, Brockworld is described as "an eclectic compendium of psychedelic rock songs, interspersed with evocative instrumentals and experimental tunes." The album was written and performed almost entirely by Brock. Brockworld is bursting with vivid ideas, a dynamic outpouring from a musician always seeking new sounds and different techniques.
Saint-Saëns's first opera, Le Timbre d'argent initially composed in 1864 need not fear comparison with some of the most celebrated works in the nineteenth-century French repertory. It depicts the nightmare of a man whose hallucinations anticipate by twenty years the fantastical apparitions of Offenbach's Les Contes d Hoffmann.