Roy Andersson Sånger Från Andra Våningen (2000)

Yes indeed, the Divine Miss Em has still got it. It was the late 1970s when Emma Kirkby first became the leading diva of the early-music revival. More than 20 years on, as this disc of mostly lesser-known Handel treats demonstrates–a follow-up to volume I–Kirkby remains a spectacular Handel singer. The pure tone, control over vibrato, astonishing agility, and immaculate delivery that made her world famous are all still in place; if anything, two decades of experience have made her even more brave and imaginative in the way she embellishes a da capo aria. It must be said that Kirkby also retains a somewhat restricted palette of vocal color. As Ted Perry of Hyperion Records has put it, "She sounds like a nice person, and she is."

Roy Kelton Orbison (April 23, 1936 – December 6, 1988) was an American singer-songwriter known for his distinctive, impassioned voice, complex song structures, and dark emotional ballads…

Gösta Nystroem may have been diffident in his life decisions – he only chose music as a career in his mid-thirties – but it is clear from the two works on this 2004 BIS release that he was an earnest composer indeed when he set his mind to it. Perhaps too earnest: the Symphony No. 4, "Sinfonia shakespeariana," and the Symphony No. 6, "Sinfonia Tramontana," are long essays of some technical competence, but also unrelievedly gray, joyless creations that require a great deal of patience to get through.

Digitally remastered collection of 58 classic tracks from the late rock'n'roll legend spanning 1956-1962. Although he shared the same rockabilly roots as Carl Perkins, Johnny Cash, and Elvis Presley, Roy Orbison went on to pioneer an entirely different brand of country/pop-based rock & roll in the early '60s. What he lacked in charisma and photogenic looks, Orbison made up for in spades with his quavering operatic voice and melodramatic narratives of unrequited love and yearning. In the process, he established rock & roll archetypes of the underdog and the hopelessly romantic loser. These were not only amplified by peers such as Del Shannon and Gene Pitney, but also influenced future generations of roots rockers such as Bruce Springsteen and Chris Isaak, as well as modern country stars the Mavericks.

Collects five of his original albums, in card LP replica sleeves! Features The Move's "Message From The Country" (1971), ELO's "Electric Light Orchestra" (1971) and Wizzard's "Wizzard Brew" (1973), plus his solo releases "Boulders" (1973) and "On The Road Again" (1979). Roy Wood is an English singer-songwriter and multi-instrumentalist. He was particularly successful in the 1960s and 1970s as member and co-founder of the Move, Electric Light Orchestra and Wizzard. As a songwriter, he contributed a number of hits to the repertoire of these bands. The BBC has described Wood as being "responsible for some of the most memorable sounds of the Seventies" and "credited as playing a major role in the Glam Rock, Psychedelic and Prog Rock movements". In 2008, Wood was awarded an honorary doctorate for his contribution to rock and pop by the University of Derby. In 2015, his long and eclectic career was recognised with the "Outer Limits" award at the Progressive Music Awards in London. Wood was inducted into the Rock and Roll Hall of Fame in 2017 as a member of Electric Light Orchestra.

One of tenor-saxophonist Lester Young's final studio sessions (he died a year later), this date apparently had a lot of difficulties but the recorded results are excellent. Prez was joined by two great swing trumpeters (Roy Eldridge and Harry "Sweets" Edison) and a fine rhythm section for two standards, two originals and the ballad "Gypsy in My Soul." Young takes rare clarinet solos on two of the selections with his emotional statement on "They Can't Take That Away from Me" being one of the highpoints of his career.

All these works were published within 18 months of Purcell's death. The 13 suites of choice movements from plays and semi-operas, entitled A Collection of Ayres, compos'd for theTheatre, and upon other occasions, may well have been the editing work of Purcell's brother, Daniel.