Rudolf Kempe Staatskapelle Dresden Richard Strauss

In honor of the 150th anniversary of Richard Strauss' birth, DG gives us this collection featuring the composer as conductor. While on the surface this would seem a wonderful opportunity to hear his music as Strauss intended it, this set winds up being something else: an examination of what happened when 19th century conducting styles met 20th century technology. For while Strauss is regularly feted as being one of the great conductors of his era, those who know also emphasize the fact that he didn't like recording all that much. Thus, this Strauss set is fascinating evidence of how recording technology can alter our perceptions of music.

Rudolf Kempe’s recordings of Richard Strauss have long been prized for their unparalleled clarity and subtlety in music that has come to define the late-Romantic temperament and its expression of highly strung emotions, whether in a state of Nietzschean exaltation, on the summits of Also sprach Zarathustra and the Alpine Symphony, or in the post-war despair of Metamorphosen. Even in his lighter moods, such as the early and carefree Aus Italien and the late concertos for wind instruments, Strauss loves the complex textures that Kempe and the Staatskapelle Dresden clarify with the utmost skill and sympathy. A classic set, remastered from the original East German master tapes.

It’s good to have Richard Strauss’ fascinating, somewhat atypical concerted works for piano left hand available on a single disc, especially in well played and strongly projected readings like these. At times the slow-motion harmonic scansion and rhapsodic piano writing throughout the Paregon to the Symphonia Domestica evoke Scriabin’s misty muse. By contrast the Panathenäenzug, subtitled Symphonic Etudes in the form of a passacaglia, uses a time-honored baroque form to generate opulently scored, post-Wagnerian froth.